Author of the Month
Authors by their birthday month: January -- February -- March -- April -- May -- June -- July -- August -- September -- October -- November -- December
Vera Baker was born in Los Angeles, California, on January 28, 1927. She and her family moved to New York City when she was quite young. Luckily for Vera, they lived near a studio space called Bronx House where she learned painting, writing, acting, and dance. When she was nine-years-old, one of her paintings, called "Yentas," was put on exhibit at the Museum of Modern Art. She was filmed there explaining to First Lady Eleanor Roosevelt the meaning behind her work. The Movietone film reel ran before the regular features at the movies. This, Vera recalled, made her quite a big shot in the neighborhood!
Born: January 28, 1927, in Los Angeles, California
Parents: Albert Baker and Rebecca (Porringer) Baker, Jewish immigrants
Attended: the High School of Music and Arts in Manhattan; bachelor's degree in graphic arts from Black Mountain College in North Carolina
Married: Paul Williams (divorced in 1970)
Children: Sarah, Jennifer, and Merce
First book (illustrated): Hooray for Me! with text by Remy Charlip and Lilian Moore; First Book (written and illustrated): It's a Gingerbread House: Bake It, Build It, Eat It
Selected Awards: Caldecott Honors for "More More More" Said the Baby and A Chair for My Mother; Parents' Choice Award (illustration) for Three Days on a River in a Red Canoe; Jane Addams Honor for Amber Was Brave, Essie Was Smart; Regina Medal of the Catholic Library Association for her body of work; NSK Neustadt Prize for Children’s Literature for her body of work
Arrested at a women's anti-war protest at the Pentagon in 1981 and served a month at a federal prison camp in Alderson, West Virginia.
- Born on December 8, 1940, in Washington, D.C. to L.G. and Eleanor Schneider
- Received a B.A. in art from Smith College in 1963
- Married Tomas Azarian, a musician, that same year
- Mother of three sons—Ethan, Jesse, and Timothy
- Now resides in Plainfield, Vermont
Mary was raised on a small farm in Virginia, yet her life's road would take her into the New England countryside where she would create folk art that celebrates the region's traditional farming culture. She has illustrated more than 50 books and written several of her own, often employing a 19th-century hand press to create her woodcut designs.
Marcia Sewall's name can be found on the covers of many books in the library. She has a simple drawing style that conveys the rhythm and characters of the stories without overwhelming them. Whether the subject is something light-hearted, such as Daisy's Taxi, or bold retellings of Thanksgiving history, Marcia's drawings give the books a clarity that works beautifully with their storylines.
Picture book writer and illustrator Uri Shulevitz came into a world on the brink of a devastating war. The son of son of Abraham and Szandla (Hermanstat) Shulevitz, Uri (pronounced oo-ree), he was only four years old when German bombs falling on Warsaw drove his Jewish family out of the city and into an eight-year period of travel in exile throughout Europe before finally settling in Paris in 1947, when Uri was twelve years old.
Bored? Nothing to do? Jump into a cozy picture book on a winter night. Troublesome trolls and a beauty's Beast! Helpful hedgehogs and polite polar bears! Whether you find yourself surrounded by swirling snowflakes or a chilly blue twilight, there are no better companions for winter's frozen brightness than Jan Brett's tales from the European tradition.
Jan Brett knows all about the magical relationship between a book and a reader. "I remember the special quiet of rainy days when I felt that I could enter the pages of my beautiful picture books," she once recalled. "Now I try to recreate that feeling of believing that the imaginary place I'm drawing really exists."
In his autobiographical novel for young people, Bad Boy, Walter Dean Myers wrote of a world--1940s Harlem--that was markedly different from that of today. Most families were tightly-knit as was the community itself. Even so, it wasn’t a perfect place. As he grew up his family struggled to get by, and, as he became a teenager, he became more aware of racism and how it could affect his future.
But during his early years, he didn’t think too much about race. He had friends who were white and black, and the woman he thought of as his mother was of German and Native American ancestry. The man who raised him, though not his biological father, was African American. Herbert and Florence Dean took Walter and his half-sisters in to be fostered when they needed a loving and caring home.
Leo Lionni was born into a family that appreciated art, and, from a very young age, he knew he wanted to be an artist. He loved nature and started keeping small creatures--minnows, birds, fish, and more--in his attic room in Amsterdam. He also created terrariums, and many of these natural details found their way into his later work. Like so many successful children’s authors, Leo Lionni was able to remember and tap into the things that were important to him when he was a child.
Odell Scott (Scott O'Dell) grew up in a California that was still wild and natural. No freeways, no asphalt, no hundred-story buildings. People got around by walking, taking a trolley or train, or riding horseback. His family lived in a house on stilts that was so much a part of the landscape that the waves at high tide splashed against its supports. He loved the outdoors and decided to become a writer as a youngster after he learned that he was related to the classic British historical novelist and poet, Sir Walter Scott.