Author of the Month
Authors by their birthday month: January -- February -- March -- April -- May -- June -- July -- August -- September -- October -- November -- December
Eleanor Ruth Rosenfeld (Estes) loved to tell stories to children. She began by working as a children's assistant in her hometown library, but when she became sick with tuberculosis, she spent the quiet days of her recovery writing down her childhood memories as a series of stories for young readers.
In The Moffats, a terrific family, growing up during tough times in Cranbury, Connecticut in the 1910s, face calamity when the landlord puts a "For Sale" sign on their beloved yellow house. Janey's widowed mother works as a seamstress every day to put food on the table, coal in the grate, and clothes on their backs, but there isn't enough money left to buy a home. Week after week, month after month, the kids—fifteen-year-old Sylvie, twelve-year-old Joey, nine-year-old Janey, and five-year-old Rufus—expect the worst: that someone will buy their house, and then what will happen?
The author of Hans Brinker, a famous book about poor children who lived in Holland, grew up rather rich and never visited Europe. She was a New York City girl, born on January 26, 1831, to a well-off family who helped her on the way to becoming a beloved children's writer and magazine editor. This writer had an unusual and privileged background. Miss Mary Mapes did not go to school with everyone else. She was taught at home by tutors and governesses. There she studied French, Latin, music, drawing, and literature. Her family's circle of friends included some very intelligent people. Horace Greeley, a hugely important newspaper publisher, and the famous poet-journalist William Cullen Bryant were often hosted at the Mapes home.
Tomie dePaola (pronounced "Tommy de -powla") was born just as the hard times of the Great Depression were coming to an end in 1934. When Tomie was a boy, there was no television, but he never missed it! He stayed glued to the radio to listen to his favorite show, Let's Pretend. Every week, the actors on Let's Pretend acted out stories of heroes, goblins, princesses, and talking animals. The show fired Tomie's imagination. By the time he was four years old, he knew he wanted to be an artist.
Paula Danziger sometimes said she wished she had had her own books to read when she was growing up. As the nerdy, clueless daughter in a family where Dad yelled and Mom just tried to make Dad happy, life was not fun. When her dad said mean things to her, Paula would tell herself that someday she would put it in a book. And she did.
Born: New York City, June 27, 1928
Education: Graduated from Hamilton College, Clinton, NY, in 1950
Military service: Korean War, infantry, discharged in 1951
Family: married Carol Burrows in 1952. They had two children: Geoffrey and Andrew. Divorced his first wife and married Ida Karen Potash.
Work: worked as a magazine editor from 1952 to 1958 in New York City; also part-time trombonist at jazz clubs in Greenwich Village during the 1950s. He gave up the editing work and became a freelance writer full-time in 1958 and continues to work occasionally as a jazz musician.
Currently Lives in: New York City
First Books: Cheers, an adult book, in 1961; Battleground: The United States Army in World War II, a non-fiction children’s book, in 1965; The Teddy Bear Habit; or, How I Became a Winner, a children’s novel, in 1967.
Selected Awards: My Brother Sam Is Dead, Newbery Honor book, ALA Notable Book, Jane Addams Honor Book Award, National Book Award Finalist, Phoenix Award; War Comes to Willy Freeman, Notable Social Studies Trade Books for Young People; Chipper, Notable Studies Trade Book for Young People; Decision in Philadelphia: The Constitutional Convention of 1787, Christopher Award; Jump Ship to Freedom, Notable Social Studies Trade Book for Young People; The Making of Jazz, American Book Award Finalist.
When he was a very young boy, Andrew Clements loved A.A. Milne's House at Pooh Corner and Margaret Wise Brown's The Five Little Firemen. By the time he started school, he already loved reading. He read so much he surprised his teachers. Once he checked out a big book of Greek myths from the school library. The next day, he brought it back. The librarian said if it had been too hard for him he was welcome to get another book. Andrew wanted another book all right. Another thick book. He had finished the Greek myths in one day and was ready for more good stuff.
Beverly thought she had the greatest life. Things were exciting on the family farm for a little girl, and her mom and dad were working too hard to keep their dark-haired daughter from having fun. On glorious days filled with sunshine, she helped bring the lazy cows in from the pasture, picked armfuls of wild flowers, and learned the names of the trees and the birds from her father as they rode in the wagon across the field to gather firewood.
“Any memorable children’s book will possess drama, vitality, vividness, possibly wit and humor, and its own dignity—that is, a deep respect for the child’s quick and devastating perceptions. As for the story itself, it will convey a sense of complete inevitability, a feeling of rightness throughout the whole structure. This can only be attained by the writer’s evoking the true aura of childhood through re-experiencing that emotional state he lived in as a child, a state composed of delight in the simplest, most secret, sometimes the oddest things, of sadnesses and fears and terrors one could not or would not explain, of a continuing wonder about much that seems drab and familiar to adults”
--Eleanor Cameron writing in The Green and Burning Tree: On the Writing and Enjoyment of Children’s Books, pg. 14
Eleanor Cameron was capable of doing all these things, whether writing science fiction, fantasy or more everyday stories. She was a celebrated children’s writer of the 1960s and 1970s and was known for her lyrical style and the honesty with which she told her tales. A mature reader of That Julia Redfern, featuring an aspiring young writer living in the 1910s Berkley, can easily find grown-up themes that are layered into the story and come to fruition in books about an older Julia, such as A Room Made of Windows.