Something is stealing the grain in Mrs. Runnery’s granary. It must be weevils, thinks she, as she sets out spiders to eat them. But in the morning, the frightened spiders are clinging to the ceiling, their webs torn. It wasn’t weevils eating the grain. What could it be? The farmers need this grain from Runnery Granary to mill into flour so they can eat in the winter.
Ah, the wacky uncle. He is an institution as old as the concept of family itself. Many can claim to have one, but few can say that his uncle is one of the most important artists of the 20th century. That's where Uncle Andy's, by James Warhola, figures in.
Before Warhol was a painter, a filmmaker, and a celebrity, he was Andrew Warhola. After college, he shortened his name and left his home in Pittsburgh to start an art career in Manhattan. But back in Steel City was Andy's older brother Paul, who worked in a junkyard and was father to seven children, one of whom was our author/illustrator James. Paul used a lot of the trash he found to make sculptures, and if he found something particularly unusual, he would bring it to Andy.
"This hat is not mine. I just stole it."
This is Not My Hat invites us into the mind of a tiny fish who cares nothing for his underwater brethren. The fish offers many reasons why he will succeed in his crime, why he deserves the hat over the much bigger fish he snatched it from. Obviously, we are dealing with a sociopath here.
I have never liked getting haircuts. There is just too much room for miscommunication. Too much of a chance for a top-of-the-head surprise that won’t go away. Recently, I have figured out a way around any chance of miscommunication.
“Just make it look like Elvis.”
Shake, Rattle & Turn that Noise Down! is a beautifully illustrated coming-of-age story by Mark Alan Stamaty. He is best known as a political cartoonist, and here his caricatured drawings serve his personal story of discovering Elvis Presley, to the chagrin of his poor mother.
Fear of the dark is fear of the unknown. If you are unable to see what is out there, your imagination is quite adept at filling in the frightening gaps for you.
The Dark, by Lemony Snicket and illustrated by Jon Klassen, focuses on Laszlo, a young boy who tries to preempt the dark from visiting his room at night by meeting it where it lives during the day, down in the basement. Poor Laszlo finds that his journey does little good after his nightlight burns out one evening. What's more, the dark wants to show Laszlo something.