Going Back to New Orleans
"When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him." -- Jonathan Swift
Ignatius J. Reilly of New Orleans--selfish, domineering, deluded, tragic and larger than life--is a noble crusader against a world of dunces. He is a modern-day Quixote beset by giants of the modern age. In magnificent revolt against the twentieth century, Ignatius propels his monstrous bulk among the flesh posts of the fallen city, documenting life on his Big Chief tablets as he goes, until his maroon-haired mother decrees that Ignatius must work.
"A sniper appears in 1960s New Orleans, a sun-baked city of Black Panthers and other separatists. Five people have been fatally shot. When the sixth victim is killed, Lew Griffin is standing beside her. He's black and she's white, and though they are virtual strangers, it is left to Griffin to avenge her death, or at least to try and make some sense of it. His unlikely allies include a crusading black journalist, a longtime supplier of mercenary arms and troops, and bail bondsman Frankie DeNoux.Yet it is the character of Lew Griffin that takes center stage, as in each of Sallis's highly praised books."
"Death by Design brings the first three Scrapbooking mysteries together for the first time! Keepsake Crimes introduces Carmela Bertrand and her booming scrapbooking shop, Memory Mine, on the fringe of New Orleans's French Quarter. When Carmela's estranged husband is named a suspect in a Mardi Gras murder, it is Carmela who must find the clues to the real killer-in one of her customer's scrapbooks.
In Photo Finished, Carmela is hosting a late-night "Crop Till You Drop" session at her shop. But when a neighboring shop owner is murdered in the alley behind the store, Carmela's customers become the focus of the police investigation.
And finally, in Bound for Murder, Carmela is creating custom place settings for a wedding party when she discovers the groom with a knife protruding from his body. Carmela must help the bride pick up the pieces while wrapping up a murder with more than one lethal loose end."
The new Sookie Stackhouse novel from the New York Times bestselling author of Dead as a Doornail.
Spiked with a "frothy fusion of romance, mystery, and fantasy" (Publishers Weekly), this "deliciously fiendish...increasingly riotous series" (Dallas Morning News) sends the supernaturally gifted cocktail waitress to New Orleans, where she has to deal with the legacy of one of her own family and a host of potentially dangerous characters
When New Orleans businessman Errol Petrie hires Celina Payne to represent "Dreams"--a company that caters to the whims of the wealthy and uses the profits to fund the wishes of dying children--her newfound happiness is soon shattered by Petrie's untimely death.
Caroline Winters, a New Orleans cocktail waitress, heads west to look for her sister, Ellie, who has been missing since she was six.
"The time is now.
We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . ."
Behind the iron gates of wealthy New Orleans, beneath the veneer of her society name, linger truths that Aurore Gerritsen has hidden for a lifetime. Now, as Aurore faces her own mortality, she needs to reveal the secrets that have haunted her for so many years.
In the rowdy red-light district of Storyville, four players of the new music they call "jass" have turned up dead. When Creole detective Valentin St. Cyr begins to investigate, he discovers that every one of the victims once played in the same band, and the only one left alive has gone into hiding. As he digs deeper, Valentin becomes convinced that a shadowy woman is the key to the mystery. His efforts to find her touch nerves, and soon Tom Anderson, known as the "King of Storyville," police lieutenant J. Picot, and even the mayor of New Orleans want him off the case. It's all the proof Valentin needs that there is something even larger and darker at the heart of this sordid business.
Charlotte LaRue is back on the job (and back on a case) when she begins working for notorious crime boss Robert Rossi and his high society family. As family heirlooms disappear and family feuds flame, the big man himself winds up dead at his own party, seemingly at the hands of his wife, Emily. The case seems cut-and-dried-to anyone but Charlotte, that is. Although Emily looks guilty as sin, Charlotte has seen enough of the Rossi family's dirty laundry to suspect everyone. And the Faberge eggs continue to disappear. If there's a crack in the killer's plan, Charlotte will find it, because she won't stand for anything-least of all, murder-being swept under the rug. But she'd better tread carefully if she doesn't want to spend Fat Tuesday in the bayou, sleeping with the catfish.
Drop me off in New Orleans (Kermit Ruffins) -- Got a right to sing the blues (Doc Cheatham & Nicholas Payton) -- Basin Street Blues (Louis Prima) -- Wrap your troubles in dreams (Preservation Hall Hot 4 with Duke Dejan) -- Baby won't you please come home (Topsy Chapman and the Pros) -- The devil done got me blues (Kevin Clark and the Jazz Revelation) -- Tin roof blues (Louis Armstrong) -- Basin street blues (Dr. John) -- Give it up (Dr Michael White) -- Going back to New Orleans (Deacon John) -- Bye and Bye/Saints (Gregg Stafford and Dr. Michael White).
Zib and Wilson Bailey think the thick cloud of cigarette smoke enveloping their mother is what probably killed their father. Certainly the toxicity of Jerusha Bailey's cynical attitudes has driven her children far from New Orleans. Jerusha soon befriends Dustin Puglia, a ten-year-old living next door with a poisonous mother of his own. The two become attached in this hilarious story of responsibility and blame.
"N.O. Drugstore is located at the improbable intersection of South Claiborne Avenue and South Carrollton Avenue in New Orleans. Its idiosyncratic clientele draws as much from mostly poor-black Pigeontown as it does from the mostly rich-white University section. And no one knows this better than the three people who man the pharmacy on even days of the month.
"As different in style and temperament as their customers, Luciana Jambon, Lennon Israel, and Vendetta Greene are the protagonists of this story. Told in third person from their alternating points of view, Side Effects plays out their respective family feuds, usually somewhere between the Seasonal Specials and the Depends aisles. Corralled as they are with one another twelve hours a day, romance and splendid friendship blossom among Luciana, Lennon, and Vendetta, because it's really only a low counter that separates them from everyone else."
Book one of The Creoles Series, captivating novels from bestselling authors Gilbert and Lynn Morris, introduces Chantel Fontaine. Readers follow Chantel through the streets and swamps of Louisiana as she falls in love, faces the loss of both her parents, and searches for the baby sister she thought was lost forever. The culture of the citizens of nineteenth-century New Orleans was as varied and intriguing as their complexions-French, Spanish, African, and American. As the layers of these cultures intertwine, a rich, entertaining story of love and faith emerges.
This account combines personal memoir, historical research, and on-the-ground reporting to trace a suspenseful arc through the last year New Orleans was whole.
Phil Randazzo, owner of the trendy Tasso Restaurant in New Orleans, is being haunted and he's not at all happy about it. Strange supernatural events are taking place in the home he shares with his new wife, Michelle. Michelle's late husband, the legendary Cajun musician A. P. Savoie, begins to appear at will and inhabit everyday objects. As Savoie's presence grows stronger, the couple asks for help-psychics and exorcists are consulted until Phil narrowly escapes a deadly accident. Clearly, the honeymoon is over; but what, if anything, does Savoie want from them?
Detailed sketches and watercolor paintings capture the charm of one of America's most distinctive cities, revealing New Orleans' unique blend of architectural wonders, rich Cajun and Creole cultures, food, music, and history.