Darcy Jones has been bouncing from foster home to foster home around Chicago for most of her short life. She remembers nothing from her early childhood. She has finally managed to spend more than a year with a foster parent and finally has some friends at her high school.
Little does Darcy know that there is an alternate world just like this one as well as an alternate Chicago. But in that world, the Great Chicago Fire never happened. In that world, The Shadow Society remains a deadly threat.
When a mysterious new boy at school, Conn McCrea, captures Darcy’s attention... her heart soon follows. She is about to find out though that Conn is from that alternate world, and so is she.
The Left Bank Gang opens with a dog shuffling down the streets of 1920's Paris, keeping mostly to himself. He ignores a panhandler, but then sees another dog that he recognizes. They shake hands. One dog's name is Ezra Pound. The other's is Ernest Hemingway.
Gang is a clever nugget of alternate history fiction. Rather than focusing on complex geopolitical questions like "What if the Germans won World War II?" Norwegian cartoonist Jason turns to the zeitgeist of expatriate writers such as Pound, Fitzgerald, Joyce, and Hemingway. His hypothesis is "What if all of these starving geniuses just got fed up and turned to crime?"
The ten Boom family lived a quiet, respectable life in the Dutch town of Haarlem. Corrie and her father made and repaired clocks. Her sister was their housekeeper. They were loved by the community. But in neighboring countries, Nazi Germany was rising, and soon it would sweep into the Netherlands.
In Isaac’s Storm, Erik Larson tells the story of the fateful year 1900 when Isaac Cline and a hurricane crossed paths in the city of Galveston, Texas. As a meteorologist at a time when that science was still not being taken seriously by most people, performing well at his job was a major goal for Isaac. Despite his commitment, a series of factors—most significantly disillusionment with the Cuban weather reporting and an incomplete understanding of certain weather patterns, would result in absolute catastrophe for Galveston and the people living there.
It's 1933 and President Roosevelt is having a devil of a time finding someone to appoint to the post of ambassador to Germany in Erik Larson’s In the Garden of Beasts. All of the usual picks politely decline the post, as news of Germany’s foreboding political atmosphere drifts to America. Roosevelt eventually settles on William E. Dodd, a historian at the University of Chicago whose primary goal is to finish his multi-volume historical treatise on the antebellum South before he dies. By most accounts, Dodd is an odd pick for ambassador, being neither rich nor well-connected. Most ambassadors entertain lavishly during their appointments, and it is expected that the costs will come from their own coffers. Frugal Dodd immediately made waves by pledging to live solely on his meager income, almost unheard of in cosmopolitan Berlin.
Dodd naively sees the appointment as a respite from the trials of University department chairmanship and a boon of time to work on his project. He, like most Americans, is grossly uninformed about the political machinations happening in Germany, as Hitler, Göring, and Goebbels vie for power and German Jews are increasingly menaced. The entire Dodd family decides to come along to Berlin, ready for a new lark: the professor and his wife, Mattie, their son, William Jr., and their beautiful, flirtatious, 24-year-old daughter, Martha (who happens to also be fleeing the wreckage of a precipitous marriage to a banker).
To open a book illustrated by Floyd Cooper is to be drawn into a world of warmth, bravery, and joy. His drawings are as essential as the text itself in illuminating the world of childhood, often of the Black experience.
He was born in Tulsa, Oklahoma, in 1956. Early on, his family lived in the projects and had little money, but his mother was able to give him a sense of self-worth that he has carried with him always. She also shared stories with him, helping to build his imagination.
Ivan Doig’s This House of Sky is a memoir set in the rugged, sheep-raising terrain of Montana. It was a time when the last of the small-town ranchers were on their way out, pushed along by the Great Depression and rich men buying up failed farms to add to their own.
The author’s people were not of the rich kind. They were scrappy, immigrant stock. Ivan’s grandfather came with family from Scotland. They ran sheep til their luck ran out. Then they worked for the big ranchers. Ivan’s father was a little guy, but he broke broncos—sometimes breaking his own bones doing it -- rode herd on sheep, bossed the other hands, and fell in love with a 16-year-old girl.
Josephine Baker was an African-American singer, dancer, actor, and political activist who rose to prominence in the 1920s. In the book Josephine, written by Patricia Hruby Powell and illustrated by Christian Robinson, her astonishing life is recounted with powerful text as well as enthralling images. Her story is one of struggle, perseverance, and resilience. Her strength of character and fortitude helped her navigate the precarious pathways of life more than once.
From the mid-1950s to the late 1980s, the world of animation in the United States experienced a severe quality drought. Television animation was cheaply and quickly produced and loaded with errors. Feature-length animation experienced severe budget cuts, and the number of animated movies being released was drastically reduced. Cartoons that many generations grew up watching were made with “limited animation”—a style that utilized as few frames as possible, which resulted in choppy, simplified character motions.
In 1916, Gari Melchers, an internationally famous painter, purchased the Belmont estate in Falmouth, Virginia. With the exception of some European travel in the 1920s, he made this his permanent home during the last decades of his life. Area residents and visitors are privileged to be able to visit this gem of a museum which combines a glimpse of the artist's home life as well as a tour of his studio.