There was more than one wide-scale genocide in the 20th century. In 1916, the Turkish Minister of the Interior Talaat Pasha sent a letter to the government of Aleppo in Syria reminding them that all Armenians living in Turkey were be destroyed completely: “An end must be put to their existence, however criminal the measures taken may be, and no regard must be paid to either age or sex nor to conscientious scruples.” It was an order that was to be echoed by Adolph Hitler in 1939 in pursuing the end of “the Polish-speaking race.” Hitler added, “After all, who remembers today the extermination of the Armenians?”
Beginning April 2, 2012, the National Archives will provide access to the images of the 1940 U.S. Federal census for the very first time. Unlike previous census years, the images of the 1940 U.S. Federal Census will be made available as free digital images at http://1940census.archives.gov. Genealogists have waited for this day for years and are eager to get a first look.
In writing, and in life, it is incredibly difficult to deviate from the paths of least resistance. The established patterns seem so easy and inviting, and it takes amazing willpower and courage to do things a different way. As a writer, Jeffrey Eugenides gracefully avoids clichés and predictability. Both of his previous books, The Virgin Suicides and Middlesex, are memorable and unnerving. In his latest novel, The Marriage Plot, Eugenides is not alone in his avoidance of formulaic archetypes. The characters themselves are engaged in a meta-struggle to reject obvious and seemingly inexorable fates.
The Marriage Plot follows the intertwined lives of three central characters: Madeleine Hanna, Mitchell Grammaticus, and Leonard Bankhead. The novel opens in 1982, on the chaotic day that is supposed to send the three of them, and the rest of the graduating class, careening into adulthood. The collective mood is characterized by anticipation: professors have pulled out their dusty robes; parents have loaded new film into their cameras. But things are not as simple or inspiring for the young people who are supposed to leave the university’s protective cloister and fend for themselves in an uncertain world.
What would you do if your daughters ran away? Live Through This, by Debra Gwartney, is the true story of a mother who lost two of her daughters to the grunge subculture of the 1990s. They began hating everything about her--not just two teenagers fighting with their mother but a feud. Meanwhile, they totally submerged themselves into depression. Shortly after the girls became obsessed with the movement, Gwartney lost them fully to the streets. This story is a unique account by a mother of her lost relationship with her daughters.
If you’re in the mood for a harrowing reality check, Neil Postman’s Amusing Ourselves to Death is the antidote to your craving. Postman’s revelatory book was initially published in the 1980s, but his exploration of America’s preoccupation with entertainment is still sharp and pertinent. And it has retained its power to make us re-think the role of technology in our everyday lives.
Throughout Amusing Ourselves to Death, Postman questions how the content of our culture has been radically altered by the emergence of new media. As he states, “our notions of truth and our ideas of intelligence have changed as a result of new media displacing the old.” The assertion that cultural practices and technologies constantly influence and respond to one another might seem like a value neutral observation, but as Postman delves deeper into his analysis, it becomes obvious that he views the shift from the Age of Exposition (text-based communication) to the Age of Show Business (image-based communication) as a profoundly problematic and troubling phenomenon.
She was an educated daughter of the privileged class—granddaughter of two of Iraq’s heroes from its pre-Saddam era. A successful journalist and later owner of a printing business, she seemed to live a more charmed life than most of Iraq’s citizens. But as the door of the women’s prison closed behind her, leaving her virtually entombed, she realized that her sense of security had been nothing more than an illusion, and as one prisoner after another was dragged away to be tortured, she understood the true horror that underlay her world. Mayada: Daughter of Iraq: One Woman’s Survival Under Saddam Hussein is her story as shared with fellow writer Jean Sasson.
A Solid Beginning
Arnaud “Arna” Wendell Bontemps was born on October 13, 1902, in Alexanderia, Louisiana, a child of middle class parents of mixed racial heritage--what is sometimes called Creole. His father, Paul Bismark Bontemps, was descended from French plantation owners living in Haiti and their slaves. After coming to the United States, the Bontemps family lived free in Louisiana for decades, and the many of the men worked as skilled brick and stone masons for generations. In addition to working his trade, Arna’s father also played music with a popular band. Arna’s mother, Maria (pronounced Ma-rye-ah) Carolina Pembrooke was descended from an English planter and his Cherokee wife. Maria taught public school and enjoyed creating visual art.
The Fredericksburg Area Museum and Cultural Center is preparing for a new exhibition, "Fredericksburg Remembers 9/11," to commemorate the ten year anniversary of the terror attacks of September 11, 2001. The museum wants to partner with our community and is asking you to share your memories.
The exhibit will focus on these themes:
- first responders at the Pentagon or World Trade Center
- anyone who was an eyewitness to the attacks
- airline pilots who were on duty/flying that day
- local citizens and their experiences at school, work, or home as the events of the day unfolded
- aftermath stories
- the Muslim members of our community and what their experiences have been as they relate to the day of the attacks and the months and years following
- how far we have come in the ten years since the attacks and how our every day lives have changed - for example stricter airport security and our involvement in wars overseas
Do you have stories, original objects, and images you might consider sharing?
Sam Wilson is 14 years old, lives in New York City, and is a computer genius. It is not unusual for Sam and his friends to hack into computer systems and fool around. In fact, computer gaming and use has reached a whole new level in Brain Jack, by Brian Falkner. In Sam's world, being addicted to computer gaming has moved from the basement to gaming lounges. There are individuals who spend their entire days hooked to gaming systems and do nothing else. This book begs the question ...is this a possible future?
Sam likes to hack into systems for fun and to see if he can shut them down and then get out without his identity being detected. One day he decides to disrupt the structure of one of the country's largest telecommunications systems. He is able to move through the system undetected for a while using his computer hacking skills. However, unusual activity is noted by the web security team working for the large company. Sam realizes that he has been spotted and decides to get out quickly. There is a flurry of activity that follows as Sam scrambles to finish the job and remove any evidence that could link this security breach back to him.
Once there was a little girl named Hana Brady. She lived in Czechoslovakia with her beloved family. She liked to ski cross-country with her brother and play with her wolfhound and her fluffy, white kittens. She helped her father at the family’s general store. More than 50 years later, a suitcase with her name on it was sent to an education center in Japan. School children learned all about Hana and what happened to her during the Holocaust, a story told with words and photos in Hana’s Suitcase.