Sam Wilson is 14 years old, lives in New York City, and is a computer genius. It is not unusual for Sam and his friends to hack into computer systems and fool around. In fact, computer gaming and use has reached a whole new level in Brain Jack, by Brian Falkner. In Sam's world, being addicted to computer gaming has moved from the basement to gaming lounges. There are individuals who spend their entire days hooked to gaming systems and do nothing else. This book begs the question ...is this a possible future?
Sam likes to hack into systems for fun and to see if he can shut them down and then get out without his identity being detected. One day he decides to disrupt the structure of one of the country's largest telecommunications systems. He is able to move through the system undetected for a while using his computer hacking skills. However, unusual activity is noted by the web security team working for the large company. Sam realizes that he has been spotted and decides to get out quickly. There is a flurry of activity that follows as Sam scrambles to finish the job and remove any evidence that could link this security breach back to him.
Once there was a little girl named Hana Brady. She lived in Czechoslovakia with her beloved family. She liked to ski cross-country with her brother and play with her wolfhound and her fluffy, white kittens. She helped her father at the family’s general store. More than 50 years later, a suitcase with her name on it was sent to an education center in Japan. School children learned all about Hana and what happened to her during the Holocaust, a story told with words and photos in Hana’s Suitcase.
Film noir is not easily defined. The actual words come from French and mean "black cinema." It was in France during the post-war years that the term was used to describe a certain set of Hollywood films that were saturated with a darkness and cynicism that was not seen before. These movies included The Maltese Falcon (1941), Double Indemnity (1944), Laura (1944), and Murder, My Sweet (1944).
“The crime that inevitably intrigues me most is murder. It’s so final. At a fresh murder scene you can smell the blood and hear the screams; years later, they still echo in my mind. Unsolved murders are unfinished stories. The scenes of the crimes may change over the years; highways are built over them, buildings are torn down, houses are sold. I drive by and wonder if the new occupants, as they go about their daily lives, ever sense what happened there. Do they know, or am I the only one who still remembers?” – The Corpse Had a Familiar Face
The late Philip K. Dick's works were one of the strongest influences on science fiction writers in the first decade of the 21st century, including the fields of alternate history and paranoid thrillers.
Rural 1950s Arkansas is the setting for John Grisham’s Southern thriller, A Painted House. It’s the beginning of a summer full of sweltering days, acres of cotton to pick, dangerous desire, and deadly secrets to keep.
Come watch the Rappahannock Film Club and the Central Rappahannock Regional Library's presentation of John Houston's Beat the Devil starring Humphrey Bogart at the Headquarters Library on Saturday, August 7th at 2:00 pm.
John Huston directs the legendary Humphrey Bogart in this tongue-in-cheek parody of spy films from the 1940s -- with a script written by the equally legendary Truman Capote. When their steamer goes belly up and strands them in Italy, four criminals try to con a stranger (Bogart) into buying them land that's packed with uranium.
The streets of 1920s Paris are teeming with tourists and tramps, fine artists and con artists. Also killers. Knife fights at cafés and corpses floating along the Seine are all part of the daily parade. But now something newly wicked is in the air—murder with style. A day at the Louvre might reveal a fresh body among the dusty corpses of Egyptian nobles. Josephine Baker’s dazzling performance at the Théâtre des Champs-Élysées could be the scene of an unexpectedly dramatic tragedy. Passionate Paris is indeed a perilous place in Barbara Cleverly’s recent mystery, Folly du Jour.