“The crime that inevitably intrigues me most is murder. It’s so final. At a fresh murder scene you can smell the blood and hear the screams; years later, they still echo in my mind. Unsolved murders are unfinished stories. The scenes of the crimes may change over the years; highways are built over them, buildings are torn down, houses are sold. I drive by and wonder if the new occupants, as they go about their daily lives, ever sense what happened there. Do they know, or am I the only one who still remembers?” – The Corpse Had a Familiar Face
The late Philip K. Dick's works were one of the strongest influences on science fiction writers in the first decade of the 21st century, including the fields of alternate history and paranoid thrillers.
Rural 1950s Arkansas is the setting for John Grisham’s Southern thriller, A Painted House. It’s the beginning of a summer full of sweltering days, acres of cotton to pick, dangerous desire, and deadly secrets to keep.
Come watch the Rappahannock Film Club and the Central Rappahannock Regional Library's presentation of John Houston's Beat the Devil starring Humphrey Bogart at the Headquarters Library on Saturday, August 7th at 2:00 pm.
John Huston directs the legendary Humphrey Bogart in this tongue-in-cheek parody of spy films from the 1940s -- with a script written by the equally legendary Truman Capote. When their steamer goes belly up and strands them in Italy, four criminals try to con a stranger (Bogart) into buying them land that's packed with uranium.
The streets of 1920s Paris are teeming with tourists and tramps, fine artists and con artists. Also killers. Knife fights at cafés and corpses floating along the Seine are all part of the daily parade. But now something newly wicked is in the air—murder with style. A day at the Louvre might reveal a fresh body among the dusty corpses of Egyptian nobles. Josephine Baker’s dazzling performance at the Théâtre des Champs-Élysées could be the scene of an unexpectedly dramatic tragedy. Passionate Paris is indeed a perilous place in Barbara Cleverly’s recent mystery, Folly du Jour.
One of the sub-genres that defined classic American crime and detective movies was film noir, a style that was pervasive in detective films of the 1940s and 1950s. Film noir arose during the post-World War II period in the United States as a generation that fought in one of the most brutal conflicts the world had ever seen returned home to a changed America where jobs were scarce and the national mood seemed darker and more cynical than during the war itself.
Come join the Central Rappahannock Regional Library as we present Beach Blanket Bingo, the first film in the Sun and Sand film Series at the Headquarters Library on Saturday, June 26th at 2:00 pm.
Since the body of water known as the Rappahannock River separated two important areas of commerce and trade, it had, of course, to be crossed constantly. The Indians had their canoes and the early settlers had their boats and ferries. The first bridge was built about 1800 and was referred to as Scott's Bridge.
Long before Lassie became a famous film star there was another collie who was courted by movie directors. This remarkable "dog with a human brain" had his day in a Fredericksburg court room and escaped the death penalty.
Twentieth-century illustrator Norman Rockwell reflected in his work much of what was good in America. He is known for his sweet depictions of small-town life—soda fountains, family scenes, Boy Scouts, town meetings, doctors’ offices, and boys with dogs—but one of his most touching images was a painful one from the Civil Rights Era: “The Problem We All Live With.”