The first eighteen pages of The Smoothbore Volley That Doomed the Confederacy, by Robert K. Krick, are reprinted here with permission from the author and publisher, Louisiana State University Press, which retains all republication rights. Library copies of The Smoothbore Volley are available for check-out.
Nineteen men in two distinct groups rode forward from the coalescing Confederate lines west of Chancellorsville at about 9:00 P.M. on May 2, 1863. Only seven of the nineteen came back untouched, man or horse. Although one of those nearest the offending musket muzzles, Major General A. P. Hill escaped among the unscathed handful. Lieutenant General Thomas J. “Stonewall” Jackson, among those farthest from the flash point, was one of the five men killed or mortally wounded. The capricious paths of a few dozen one-ounce lead balls caroming off the dense shrubbery of Spotsylvania’s Wilderness that night had much to do with the course of the Civil War.
From every imaginable perspective, the afternoon of May 2 had been a stunning Confederate success of unprecedented magnitude. Lee and Jackson had crafted between them a dazzling tactical initiative that sent Stonewall covertly all the way across the front of a Federal army that outnumbered the southerners by more than two to one. The redoubtable corps commander managed the remarkable march without serious interruption, arrayed his first two divisions in a wide line, and descended upon the Federals like a thunderbolt. Those northerners who rallied bravely against the tide faced an inexorable outflanking by the outriders of Jackson’s line, who stretched far beyond the center of the attack in both directions. In this fashion Jackson routed one Union corps, trapped another out of the line, and left the others shaky, uncertain, and vulnerable to be stampeded.
This interview airs beginning October 5.
Dr. Crawley is the Distinguished Professor of History who brings the story of the university to life. He is the author of author of University of Mary Washington: A Centennial History, 1908 to 2008. With fascinating anecdotes and an insider’s perspective, he talks with Debby Klein.
Multiple-choice standards of learning tests are not concerned with the details that fill out American history. Who wants to know that those who disagreed with the Revolutionary patriots risked their lives and fortunes in a time of mob rule? What state examiner wants to hear tales of men of honor who refused to break their oaths of loyalty to the king and were whipped, tarred and feathered, or "smoked out" of their homes, as happened to 65-year-old Israel Williams, a respected Loyalist legislator, whose signature in support of the rebel cause was only gained after a night of gasping for air inside his smoky home? In Thomas B. Allen's Tories, many of these stories from across the colonies are well-preserved and well-told so that they might be well-remembered.
Fiction authors sometimes begin historical narratives by announcing the discovery of a long-forgotten strong box in a dusty attic containing purportedly true accounts of times passed handily preserved for the modern reader’s enjoyment. T.O. Madden, Jr.'s We Were Always Free starts with just such a scenario, but unlike historical fiction, this is no ploy. The history unearthed is real and traces back to colonial Virginia when Mary Madden, an Irish woman, gave birth to a child of mixed race on August 4, 1758 in Spotsylvania County.
Because of the laws of the time, just as the mother was free so would Mary’s child, Sarah, be considered free, as would all of Sarah’s descendents. Mary and her newborn were first tended at the Collins farm in Spotsylvania, and the church vestry paid the Collins for their year of upkeep with 600 pounds of tobacco taken in tithes from the parishioners. In 1759, still being paupers, Mary was sent along with her baby, to the local workhouse where the poor labored to support themselves.
This interview airs beginning June 8.
D. P. Newton has preserved and arranged a most remarkable record of life during an era of turmoil in our nation. The White Oak Civil War Museum reflects his passion and dedication to accuracy in compiling this unique and extensive collection. In this video, host Debby Klein meets Mr. Newton at the museum on CRRL Presents, a Central Rappahannock Regional Library production.
This interview airs beginning April 26.
Many years of work with the Stafford County Historical Society, an extensive collection of historic artifacts, and authoring a definitive history of the county have made Al Conner an authority and the person to talk to about Stafford County history. Debby Klein does just that when she visits Al Conner on CRRL Presents, a Central Rappahannock Regional Library production.
This interview airs beginning April 13.
Dr. Rachel Clay’s biography, The Orioles; Second String Albert “Diz” Russell, documents the history of the legendary vocal group, the Orioles, and reflects on the great influence of its members and rhythm and blues in the history of American music. Debby Klein joins Dr. Clay in her home on CRRL Presents, a Central Rappahannock Regional Library production.
George Mason, future patriot, spent part of his childhood in Stafford County. His father died by drowning when he was very young, so he sometimes stayed with relatives including his uncle, John Mercer who lived at Marlborough Point. His uncle was a lawyer and landowner. He had a large library for the time—more than 1,500 books—and 11-year-old George enjoyed the library, including law commentaries his uncle had written.
This interview airs beginning February 2.
Caring and curious about her ancestry and her extensive family's place in the history of White Oak, in Stafford County, Lou “Whitefeather” Silver has explored her genealogy on a journey back through 400 years and 16 generations. She shares her extensive knowledge and amazing memory in an interview with Debby Klein on CRRL Presents, a Central Rappahannock Regional Library production.
This interview airs beginning January 19.
Jack Edlund has been slowly uncovering the secrets of Fredericksburg’s Old Stone Warehouse. He is also a collector of old and interesting artifacts and an artist. Jack talks about his dedication to discovery and digging in the dirt to learn about the past.