The bare, forlorn branches and thorny sticks of her rose bushes give Galilee Garner something to look forward to all winter in The Care and Handling of Roses with Thorns: “Something to hang my daydreams on like the ornaments on a Christmas tree. In the spring, they will bloom again.”
Roses have long been used in metaphors for love in literature, and Margaret Dilloway continues the tradition in her charming novel. Dig right in with Gal Garner as she grows and breeds her difficult and obstinate Hulthemia roses, which thrive under a set of specific and limited conditions. The roses she breeds pretty much describe Gal, who was born with kidney problems, has gone through two kidney transplants, and has been on dialysis for eight long years waiting for another donor. Learn about love, roses and thriving under difficult conditions as you read this sweet, beautifully-written story.
Free Lance, Tuesday, March 6, 1888
VIRGINIA EDITORS IN A DEADLY DUEL
A Newspaper War Ends in a Tragedy—Ellis Williams Shot Through the Heart, and Edwin Barbour Seriously Wounded— [illegible]
CULPEPER, VA, March 1. — One of the most desperate and deadly shooting affrays that ever happened in this vicinity occurred here this morning, between Edwin Barbour, editor of the Piedmont Advance, and Ellis B. Williams, son of Governor Williams, editor of the Culpeper Exponent, resulting in the death of Williams and the serious wounding of Barbour. Both are young men and their families are highly-connected. The cause of the trouble seems to have grown out of a newspaper article, in the shape of a letter, dated from Washington and Signed “Jack Clatterbuck,” which was published some weeks ago in the Piedmont Advance. The letter made some sharp and caustic allusions to Mr. Williams, of the Exponent. Last Friday’s issue of the Exponent contained a bitter article denouncing the editor of the Advance and all connected with it, saying the editor was more an object of pity than of resentment, and that he was not the principal, but was put up to it by someone else. To day’s issue of the Advance contains an editorial in which the editor brands Mr. Williams as a liar, and further says that “his conduct in this matter has been cowardly in the extreme, and highly unbecoming a gentleman, of which class we shall no longer consider him a member,” and winds up the article in this wise “At times it becomes necessary for a gentleman to turn and strike the dog that is barking at his heels.”
Young Lee Bennett Hopkins was an unlikely candidate to go down in the Guinness Book of World Records for having edited the most poetry anthologies ever. He spent half his childhood in the projects of Scranton, New Jersey, and hated school. His father left the family when Lee was fourteen, leaving him to look after his younger brother and sister. His mother had her own problems, but she did love her children.
What made the difference for him was a special teacher who gave him hope. In eighth grade, Mrs. Ethel Kite McLaughlin encouraged him in his writing and urged him to go to as many plays as possible, some of which he managed to see by slipping into the theatres during intermission and catching this second act. This opened a new perspective for Lee, and he was soon on different path, away from the poverty and street life he had known.
A lot of writers for teens have excellent memories for very painful things. Some remember what it was like to be a targeted teen--the dread of going to school every day knowing what would probably happen, whether it was going to happen in a hallway, a locker room, a classroom, or on a school bus. Being pulled apart emotionally and humiliated was often just an everyday occurrence for them. The usual.
But some writers remember high school very differently. They were the people who just stood to one side AND DIDN’T DO ANYTHING while watching their friends and classmates being bullied. And in a few, a very few, cases they did the bullying themselves. Dear Bully is a collection of reflections of writers for teens who share their true stories of hurt and regret and how these experiences changed them.
Everybody knows that rabbits love carrots. Jasper Rabbit, in Creepy Carrots by Aaron Reynolds, is no exception. Jasper especially loves the carrots that grow in Crackenhopper Field. The problem is that Jasper can't get enough carrots, yanking and ripping them from the ground every chance he gets. That is, he did until the carrots started following him. Jasper is convinced that the carrots are creeping up on him.
Girlchild by Tupelo Hassman is the story of Rory Dawn Hendrix, a girl growing up on the Calle de las Flores, a trailer park on the outskirts of Reno, Nevada. The Calle is a neighborhood where people live from government check to government check. It is a place where a mother must take the night and weekend shifts because the tips are better and they need the money to survive, even though there is no such thing as reliable child care. It is a world where a mother's determination to spare her daughter the abuse she suffered as a child isn't enough to give her the skills to identify the true risks to that girlchild.
Modernized versions of traditional fairy tales have become popular in recent years, with television series such as ABC’s Once Upon a Time and graphic novels such as Bill Willingham’s Fables providing creative and original narratives utilizing characters and concepts from old folk tales. Although popular, these newer variations on older fairy tales have created controversy for altering the traditional characterizations and stories that many people grew up with. This exposes a major flaw in many people’s understanding of fairy tales and traditional folk culture—which versions are the “most correct” version of the story, and why? Maria Tatar’s The Grimm Reader is a collection of many of the traditional fairy tales recorded by the Brothers Grimm, providing an English translation of some of the oldest written versions of these stories. Notable for being far more violent than the “traditional” versions of the fairy tales popularized in the Victorian period (and later, by Disney films), the typical Grimm story is a combination of children in jeopardy, adults that range from neglectful to destructive, and flat narrative that is driven by plot rather than by characterization.
Microsoft Office maybe the go-to suite for businessy type things, but goodness gracious, it is expensive! And copy-protected! A single-PC license for the most stripped-down version of Office, the Home & Student edition which includes Word, Excel, PowerPoint, and OneNote, runs $139.99. That’s for ONE PC and lord help you if you need to reinstall it at any point - you’ll likely end up on the line with Microsoft tech support trying to re-activate your legitimately-purchased software. You’ve also got the option of paying $400 (or as I like to call it, my grocery budget) for the full Office experience with all its bells and whistles . . . again, for one PC. Please. Have some free software, on me!
My favorite book when I was in high school was I Heard the Owl Call my Name, by Margaret Craven, so I decided to reread it to see how I related to the book now. Even though it is almost 50 years old, the book is still just as timely and beautifully-written as it was in the 60’s. Perhaps its message is even more important in today’s world. It is about a young Vicar, Mark Brian, who has been diagnosed with only a few years to live. His Bishop has been told his diagnosis, but the Vicar has not.
When the Bishop learns of the young Vicar’s diagnosis he says, “So short a time to learn so much? It leaves me with no choice. I shall send him to my hardest parish. I shall send him to Kingcome on patrol of the Indian Villages.”
On a Southern farm during the Civil War, a young girl finds a runaway slave hiding in the family's barn. She is frightened but must make a difficult decision. What does she owe to the runaway with frightened eyes? Unspoken, by Henry Cole, is the story of a choice she makes and the bond that forms between the two of them.
Throughout the book, the reader never sees the runaway slave's face, just an eye peering fearfully from among the stored corn stalks. The girl and the slave never speak. In fact, there are no words in the book. But though all communication is unspoken, the message remains powerful. Detailed graphite drawings convey the tension and emotions, as well as the strong connection that grows between the girl and the runaway.