We’ve probably all had the fantasy of seeing a Pig Parade flicker in our mind at one time or another. Don’t deny it. The orchestra of oinks matched up with little hooves marching down the street, it all just sounds so fun. Well…forget about it.
A Pig Parade is a Terrible Idea, by Michael Ian Black, is a point by point dismissal of what at first seems like an incredibly delightful idea. Pigs are whimsical, funny, and intelligent creatures, but Black, a comedian best known for his commentary on VH1 shows, has found his niche in the picture book world by being the ultimate bearer of bad news.
Virginia Johnson, CRRL's talented Web content librarian, brought home two awards from the recent Virginia Press Women conference. She placed first in the "Writing for the Web, Feature Article" category with her piece "On the Road to Lake Anna."
She also placed first in the "Blogs: Web Content Written for Not-for-profit, Government or Educational Organization" category with these two posts from the popular Shelf Life Blog: "The Testimony of Two Men" and "The Succession: A Novel of Elizabeth and James."
These pieces will now advance to the national competition. Congratulations, Virginia!
Claudia Emerson, a Pulitzer Prize-winning poet and English professor at the University of Mary Washington, will be inducted into the prestigious Fellowship of Southern Writers during its biennial meeting at the Conference on Southern Literature. Emerson won the 2006 Pulitzer Prize in Poetry for Late Wife. She has written five books of poetry, with a sixth forthcoming, and has won numerous other honors. We are fortunate that each April she has helped our library system by judging the Teen Poetry Contest and acting as presenter for Teen Poetry Night.
Sometimes a book tells a wonderfully enchanting story. Sometimes it is nonfiction and conveys information. There are a few books that are able to do both. Out of those few books that do both, there are a handful that can really cause you to question the reality that you have known as truth. Neither Wolf, Nor Dog, by Kent Nerburn, is one of those special books.
Nerburn’s book is a true story. When he was a young anthropologist who specialized in Native Americans, he was invited to meet with an Indian Elder in order to write down his thoughts and memories. After Nerburn accepts the challenge, he and Dan, the Lakota elder, begin to go across the Black Hills on a spiritual journey that is both mystical and enlightening.
This interview airs beginning April 6.
Exhibits at the Fredericksburg Area Museum are exciting to see, but there are many objects in the museum collection that are not generally on public view. Here is an opportunity to see a few of these hidden treasures. Today, we are treated to a display of toys of the 19th and 20th centuries when Debby Klein visits Curator of Collections Mary Helen Dellinger on CRRL Presents, a Central Rappahannock Regional Library production.
Fiona Goble makes a herd of fleece monsters that are cuddly and sweet in Make a Monster. She creates 15 easy-to-make toys out of fleece scraps. As a fabric addict, my goal this year is to use up my scraps, and this book helped. I fell in love with Toby, the sleeping bunny, and I had a scrap of bright yellow fleece in my stash so I made a herd of them to give as gifts. I love that she gives each toy a name; I think the devilishly red Leo will be my next project.
The sweet monster toys have step-by-step directions with pictures to follow of each step and full-size patterns in the back to copy and use. I love a craft book with color pictures of all the projects, and this one fits the bill. She also has explanations for all the embroidery stitches you will need and rates the difficulty of the sewing--and most projects are quite easy. Some toys have adorable clothes such as shorts and skirts and need a little more sewing experience. She adds a “Cool Idea” to each project where you can give a little twist to make your toy even more unique.
With a few buttons and stitches, you can give your monsters their own personalities!
Rules. Sometimes they’re awful and constricting, keeping us from doing what we want.
Sam LaCroix has got some serious issues. He’s a college dropout working a dead-end job in fast food and an elderly next-door neighbor who has more of a night life than he does. But at least none of Sam’s problems verge on the darker side of paranormal…until now.
Hold Me Closer, Necromancer, by Lish McBride, is the story of one man’s journey from slacker to soul reaver. The only things Sam has going for himself are playing hockey with potatoes in the parking lot and betting when the rookie employee is finally going to crack under the pressure. This all changes when a renegade tater obliterates a car’s tail light.
We'll be screening Art and Revolution in Mexico (51 min., 2005) on Tuesday, April 5, 7pm, Headquarters Library theater.
Mexico has an unmatched legacy of painters who have recorded history in a most outspoken way. Rivera, Siquerios, and Orosco among others, produced some of the finest examples of socio/political art in their famous murals and frescoes.
This film is recommended for high school age students and up.
Come join the Rappahannock Film Club as we present Five Minutes of Heaven (2009) starring Liam Neeson on Saturday, April 2nd at 2pm at the Headquarters Library.
From the Oscar®-nominated director of Downfall, the BAFTA-winning screenwriter of Omagh, and star Liam Neeson comes a startling new thriller inspired by true events: In 1975, 17-year-old Irish-Protestant Alistair Little assassinated 19-year-old Catholic Jim Griffin in his Ulster home. The murder was witnessed by Griffin s 11-year-old brother Joe. Thirty years later, Little (Neeson) has been rehabilitated and released from prison, while Joe Griffin (James) remains traumatized and bitter. But when a television talk show decides to bring them together for a live on-air reconciliation, two men haunted by one moment must come face-to-face with their own worlds of pain, violence and vengeance. This is a must-see drama that dares to explore both sides of Northern Ireland s troubled past as it comes to terms with its still uncertain future.