David Martìn, a young writer living in 1920’s Barcelona, has a troubled past in The Angel's Game, by Carlos Ruiz Zafòn. His mother deserted the family and his father came back from the war in the Philippines a changed man. After his father is murdered, Martìn must find his way in the world. Starting out working for a newspaper, he eventually begins writing sensational novels for a Barcelona publishing house. His novels attract the attention of a mysterious French publisher who offers Martìn the opportunity of a lifetime. If he writes the book the publisher requests, he will be a wealthy man. Who is this publisher and what ultimately are his plans for Martìn?
In the book Rot & Ruin, Jonathan Maberry has created a post apocalyptic zombie infested world. Benny Imura and his brother Tom live in a safe zone that is separated from the zombies by a fence. They are constantly under threat of attack by the zombies. Benny is fifteen and it is time for him to find an occupation. After several failed attempts at employment he decides to learn his brother's trade which is bounty hunter. Benny eventually learns that his brother is not a typical bounty hunter. He does search for zombies but he is hired by family members with a special request. Benny and Tom head out together beyond the safety of the fence.
Benny never knew his parents. The night of the zombie apocalypse, Benny's father is infected and becomes a zombie. His mother who has been injured, hands the baby Benny off to his older brother Tom and tells him to run. That is the last that they see of their parents. Benny has believed for years that his brother is a coward. That happened fourteen years ago. Tom has been raising Benny ever since but their relationship is very strained. As they work and travel together Benny learns more about his brother and the reality of that night.
In A Tale of Two Castles, by Gail Carson Levine, young Elodie embarks on her journey to Two Castles with the warning of her family ringing in her ears: beware of ogres and dragons, and, even worse, the whited sepulcher. Elodie’s parents think she will apprentice to a weaver. But headstrong, independent Elodie dreams of becoming a mansioner--an actress. As she nears Two Castles, Elodie discovers that the free,10-year apprenticeships have been abolished. She does not have enough money to pay for an apprenticeship or to pay for the voyage home. What will she do? How will she survive?
One sign of a good book is that you come to the last page and want to start all over again. Connie Willis’s Blackout and All Clear – which should really be read straight through as one – made me wish for leisurely hours in a hammock, where I could go back and savor every plot twist, every character and every word.
Paris retains an eternal allure for the creative. And the gifted expatriates who flocked to the City of Lights in the 1920s often felt the hallowed pursuit of their individual muses justified unconventional personal behavior. The Paris Wife by Paula McLain chronicles the courtship and subsequent marriage of Hadley Richardson and Ernest Hemingway—a relationship strained and eventually damaged by their friends’ hedonistic lifestyles.
Hadley, who was seven years his senior, met her future husband in Chicago. Although quite the ladies’ man, Hemingway was immediately drawn to her wholesome beauty, even temperament, and courage. Hadley’s unconditional support bolstered Hemingway, a man already plagued by multiple demons, and gave him the companionship he needed to wholeheartedly pursue his writing.
In The Freak Observer, by Blythe Woolston, Loa Lindgren is not your typical 16-year-old and yet she is a quintessential one. Her life is certainly not the ideal. In the past year her family has fallen apart, having lost the one thing that their lives revolved around: her little sister, Asta, named for the stars. Born with Rett’s syndrome, she stopped growing after a few months and was destined to remain infantile her entire life, until she suddenly died. Without the constant need to care for Asta, Loa and her family are like planets without a star to revolve around, cut loose to wander the universe. They are, of course, also stricken with grief, each one reacting in their own way. Her father has fits of violence. Loa wakes screaming from nightmares--just one terrifying symptom of a case of Post-Traumatic Stress Disorder (PTSD).
In April we've added 30 adult titles, 24 of which are are available in MP3 format (suitable for iPods, iPhones, iPads, etc.). We also received 7 new children's/young adult titles (3 available in MP3). Check out our most recent additions!
Browse our newest downloadable audiobooks in the library catalog, or go directly to the NetLibrary web site (free account needed) or Media Center (install required) to download. If you don't have a NetLibrary account, follow these simple instructions to create one.
Ella Fitzgerald developed a love for music and singing while she was a young girl growing up in New York. She and her mother Tempie used to dance around their apartment while Ella's younger sister Frances repeatedly put the needle back to the beginning of the record so that they could dance and sing the day away. They had such a grand time that they forgot all about the washing and the ironing. The book Skit Skat Raggedy Cat Ella Fitzgerald by Roxanne Orgill and illustrated by Sean Qualls introduces us to the young Ella. At thirteen, Ella and her friend Charlie were singing and dancing on Morgan Street outside the apartment building. It was 1930 in Yonkers New York and people did not have much money. But some folks were able to spare some change for Ella and Charlie. They occasionally had a nickel or two tossed at them.
Charlie and Ella put their nickels together and they were able to take the Number 1 trolley to the end of the line. From there they climbed aboard the subway train to 125th Street. They were in Harlem. Ella watched the dancers at the Savoy Ballroom on Lenox Avenue. When Ella and Charlie danced outside the theatre, people tossed them their loose change. They were making more money than the shoeshine boys. Ella knew that she was going to be famous and she told everyone so.
Media ownership in the 21st century is a trickier concept than ever before. In light of the growing percentage of our books, music, movies, and software that is purely digital, that is to say, downloaded directly from the Internet, how is ownership defined? When music came on CDs and other physical formats, it was pretty easy to say, “This is my CD. I bought it. I do with it as I please.” Of course, the recording industry would disagree, to the extent that while you might have purchased the medium, you only licensed the media. Now that the medium is largely ephemeral, so too is ownership. Add onto that digital rights management (DRM) that locks down and controls what you do with your “licensed” goods and ownership becomes a ghost of its former self. But do we really care?
"We have no dinosaur, it says on a hand-lettered sign outside a farm that puts on rattlesnake rodeos."
To find pleasure in Conquest of the Useless, you must have at least a passing familiarity with the filmmaker Werner Herzog. Herzog has been writing and directing films for five decades, but only a few of his movies have broken into the American mainstream. The most well known here are the documentary Grizzly Man and the Vietnam War film Rescue Dawn (starring Christian Bale).
Each of Herzog's works oozes with a mood of effortless intensity, as if he has summoned the stress and obsessions of humanity like moths to a flame. Whether it's Timothy Treadwell (Grizzly Man's protagonist, who lived with and was inevitably eaten by bears) or Nosferatu (from Herzog's 1979 remake), the director is singular in his subjects' driven focus on their goals and desire, no matter how self-destructive they may be.