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Stafford 350
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Cafe Book 2013-2014: See what we're reading this year!
Uniquely Stafford Call for Artists: Deadline September 26
Learn fast with Mango Languages
Stafford 350
eBooks - we've got 'em
Digital magazines from Zinio. Back issues available.
Cafe Book 2013-2014: See what we're reading this year!

LibraryPoint Blog

07/04/2012 - 3:31am
Altered Carbon by Richard K. Morgan

I'd put off reading Altered Carbon for a few years, always reading something newer.  Shame on me.  This Philip K. Dick Award-winner is a brilliantly dark and gritty mixture of hardboiled detective fiction and cyberpunk that anyone looking for a story with a razor-sharp edge will love. 

01/03/2013 - 2:06pm

“...it makes me uncomfortable to know that my story Tuck Everlasting is required reading in some classrooms. My sympathies are entirely with the children, for many will react to Tuck as I well might have--with a shudder. Many will find its language too ‘fancy,’ its pace too slow, its topic unsettling, the behavior of its hero incomprehensible.”--Natalie Babbitt in "Saying What You Think." The Quarterly Journal of the Library of Congress*

It is perhaps surprising that an author would almost prefer her books were not required reading.  But it is less surprising in Natalie Babbitt’s case. Her best-beloved books are sweet and strong and true in spirit while containing enough wonder and marvel to lend a sparkle to a reader’s otherwise mundane childhood. This children’s author, like many of the best, remembers what it is like to be a child. What she liked to read--and what she didn’t. She understands that children have strong opinions on their favorite books, even if they may not be comfortable in expressing them.  She certainly remembers what she liked:

07/03/2012 - 4:00am
Why Be Happy When You Could Be Normal? By Jeanette Winterson

“Most kids grow up leaving something out for Santa at Christmas time when he comes down the chimney. I used to make presents for the Four Horsemen of the Apocalypse.”

When I picked up a copy of Jeanette Winterson’s recent memoir, Why Be Happy When You Could Be Normal, I couldn’t wait to start the first page. I’ve been fascinated by Winterson’s novels for years, but never imagined she would narrate her life in the coherent, linear style associated with memoirs. In Winterson’s fiction, she constantly manipulates the boundary between fantasy and reality, integrating personal experience, mythology, and philosophy into a fluid conglomeration. Although Why Be Happy does feature some of Winterson’s trademark structural experimentation, it is also an engrossing story about one woman’s experience of dysfunction, madness, violence, love, and religion.