The Oxford Book of Gothic Tales
By Chris Baldick, editor
"E. Nesbit's The Hursts of Hurstcote is only one of the many stories found in The Oxford Book of Gothic Tales, the first anthology of this spinetingling genre. Though Gothic fiction has generally been identified with Walpole's Castle of Otranto and the works of Ann Radcliffe, these thirty-seven selections compiled by Chris Baldick provide a unique look at the genre's development into its present-day forms. We see standard gothic elements of incest, murder, and greed in The Poisoner of Montremos, a late eighteenth-century story by Richard Cumberland. We find in Poe's The Fall of the House of Usher the tale that set a new standard of decadence for Gothic stories. In Hawthorne's Rappacini's Daughter, a young girl is raised on the very essence of poison.
"In Faulkner's A Rose for Emily, a woman's death satisfies a neighborhood's curiosity with a bizarre discovery. In other tales, a ghost reveals his sin of parricide, madness drives a man to murder,and a young girl spends her lifetime locked in a single room. All these stories and more contain the common elements of the gothic tale: a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, dynastic corruption, and the impression of a descent into disintegration. Yet they also reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world."