Reading Room Blog

03/12/2013 - 2:31am
Sailor Twain by Mark Siegel

Sailor Twain is a graphic novel that is heavy on the novel half of that term. The book draws from the romantic authors of the nineteenth century, from the sirens of the Odyssey, and from the emotional and carnal explorations of modernist literature.

On a riverboat churning through the Hudson, we meet two very different men. One is the serious, contemplative Captain Twain. The other is the more freewheeling boat owner Lafayette. They are about to become ravaged by the same obsession: mermaids.

01/09/2013 - 1:50pm
project gutenberg logo

"Powered by ideas, ideals, and by idealism." This is one of the first few lines in the mission statement of Project Gutenberg, a Web site stating that it is the first—and largest—single collection of free eBooks. Another tidbit worth mentioning is the fact that it is completely run by volunteers, and there are no dues or membership requirements. While they do gladly accept donations and new volunteers, the site makes its main goal clear: “...provide as many eBooks in as many formats as possible for the entire world to read in as many languages as possible.”

11/16/2014 - 4:46pm
Someone Else's Love Story by Joshilyn Jackson

Meets the second Monday of the month at 7:30 p.m. in the 3rd floor conference room

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11/04/2014 - 1:47pm
In Cold Blood by Truman Capote

Rediscover the timeless, treasured delights of the classics. Read, savor, and engage in lively discourse with our newest Book Group. Meets the 3rd Monday of every month, 7-8 p.m. For more information, please call the Adult Research Desk at 372-1144 ext. 232.

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11/10/2014 - 1:33pm
The Water is Wide by Pat Conroy

Meets the first Thursday of the month at 7:30 pm.

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11/26/2014 - 8:00am
Cooked by Michael Pollan

Join other readers to talk about books. The group meets the fourth Tuesday of the month from 7-9 pm.

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11/08/2014 - 4:25pm
Saving CeeCee Honeycut by Beth Hoffman

Meets the fourth Tuesday of the month at 7pm

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01/02/2013 - 8:42am
How Not to Write a Novel by Howard Mittlemark and Sandra Newman

Have you ever wanted to become a writer and brave the strange and confusing world of trying to sell your work to the publishing industry? Do you feel you might need a refresher course in creating a marketable thriller or romance novel?  If you are curious about improving your writing technique to make your work more compelling, concise, or appealing to publishers, you may benefit from How Not to Write a Novel, a writing guide from Howard Mittlemark and Sandra Newman.  This guide is a compilation of examples of common writing mistakes that can make novels confusing, boring, or unappealing to read.  Humorous and well-organized, this book is both a great educational resource and a good comedic read.

08/14/2014 - 1:16pm
How Music Works by David Byrne

How Music Works offers many answers to a question that I had never even asked. Now that I've read it I wonder, "How could I have gone so long without this information?" Musician and writer David Byrne crafts such an enticing collection of essays, dropping factoids and anecdotes along the way, that I was equally informed and entertained.

More of a blend of personal experience and hypothesis than a hard-line course in objective facts, Byrne tackles nearly every conceivable aspect of the art form: venues throughout history; the creative process; collaboration; recording; and business.

12/19/2012 - 3:31am
Motherless Brooklyn by Jonathan Lethem

Only Jonathan Lethem could turn an homage to the classic noir style into a wildly inventive exploration of language, loyalty, and the principles of Zen Buddhism. Lethem’s fascination with noir played a major role in his debut novel, Gun, with Occasional Music. In Motherless Brooklyn, the reader is treated to a gritty interpretation of noir filtered through an unforgettable narrator—Lionel Essrog. As always, Lethem’s writing is superb, and the construction of Lionel’s narrative voice is a rare accomplishment.

Lionel Essrog is an inexperienced detective who has a complicated relationship with language. Lionel is always looking for an antidote – some sensation or substance that will temporarily quell the feral language percolating in his brain. White Castle hamburgers can have therapeutic properties, and fear will work in a pinch. But Lionel’s mind always reverts back to an intricate arrangement of associative tics, repetition, and wordplay.