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Of the eight memoirs I’ve read so far this year, Jenny Lawson’s Let’s Pretend This Never Happened is definitely the funniest. Fans of Laurie Notaro and Jen Lancaster will probably adore Lawson’s spirited descriptions of everything from her father’s affection for armadillo racing to her encounter with Stanley, the Magical Talking Squirrel.
This readalike is in response to a patron's book-match request. If you would like personalized reading recommendations, fill out the book-match form and a librarian will email suggested titles to you. Available for adults, teens, and kids. You can browse the book matches here.
Sandcastle Girls by Chris Bojhalian: Parallel stories of a woman who falls in love with an Armenian soldier during the Armenian Genocide and a modern-day New Yorker prompted to rediscover her Armenian past.
If you enjoyed Sandcastle Girls for its incorporation of family ancestry into a historical fiction novel, here are some other titles you may enjoy:
Black Dog of Fate by Peter Balakian
Poet Peter Balakian relates the story of his childhood in New Jersey, where the American culture of the 1950s and 60s collided with his family's memories of the extermination of Armenians by the Turkish government in 1915. (worldcat.org)
In Grandpa Green, Lane Smith tells the story of one man's life through his passion. Topiary gardeners shape bushes and trees into fantastic sculptures of whatever they desire. We meet Grandpa Green as a gigantic bushy baby, sprinkling tears with the words, "He was born a really long time ago," beneath.
We go on to explore Grandpa's life through the garden, with different sculptures illustrating each step in his life. He grows up on a farm, escapes into the wonder of tales like The Wizard of Oz, goes to war, and starts a family. Smith combines the lush greens of the topiary scultpures with very thin black lines for tree trunks, branches, animals in the garden, and the great-grandson who narrates the story. That choice allows the sculptures to pop off the page like a vibrant special effect.
I am an addict...and my addiction is popular music. I adore it. Who doesn't? We all have our favorite songs, artists, genres. The right track at the right moment can hit us emotionally or physically, make us weep or dance. What I like almost as much as music are all of the details and stories that lead up to the making of some of my most cherished albums. That's where the 33 1/3 series comes in.
Started in 2003 by editor David Barker, 33 1/3 is a collection where each volume examines the allure of a particular album as well as the artist who recorded it. Named after the number of revolutions on an LP record, the series spans rock, hip-hop, folk, metal, pop, country, dance, punk, electronica, and world. There is something here for everyone.
H.G. Wells’ classic, The Time Machine, tells the story of a man who travels through time into the far distant future to find that humanity has evolved into two distinct species: the complacent, placid Eloi and the predatory, cunning Morlocks. Falling in love with one of the Eloi, the protagonist is successful in recovering his Time Machine and using it to escape back to Victorian England. But he feels lovesick and depressed without her, and finally uses the Time Machine to travel back to the future to rejoin her and help the Eloi create a new golden age free of the Morlocks’ terror…or so H.G. Wells assumed.
With its intentional emulation of a Victorian writing-style and elaborate machines recalling the dawn of science fiction, Morlock Night, K.W. Jeter’s sequel to The Time Machine, was the novel for which the phrase “steampunk” was invented. Steampunk is a subgenre of science fiction rooted in the speculative fiction of the nineteenth century and is distinguished by its use of Victorian-era settings, steam-powered technology, and stylistic elements influenced by nineteenth century writing. Morlock Night’s combination of science fiction and alternate history proved to be a major stylistic influence that codified many aspects of the steampunk genre. Shorter and more action oriented than Wells’ novel, it is dominated by an atmosphere of darkness and suspense and an ironic, knowing wit.
While I was complaining to my parents about having to leave Los Angeles, a chemist in China was narrowly escaping arrest, and a Hungarian physicist was perfecting the ability to freeze time. I was drawn, through Benjamin and his father, into the web of what they have created.
What author Maile Meloy has created in The Apothecary is the incredibly enchanting adventure of Janie Scott. It is 1952, and Cold War paranoia has infiltrated Hollywood where Janie's folks have been accused of having Communist ties. Once Janie notices the men in dark suits following her home from school, it is not long before she and her parents have fled America for London.