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Being a fan of the horror genre can be frustrating--living in a world filled with bad Hollywood remakes of great classics and series more focused on torture and gore then actually scaring anyone. So, when I picked up Ghost Road Blues, by Jonathan Maberry, I hoped it would give me that old school horror fix I’d been craving since my childhood and young adulthood spent watching the horror films of the seventies and eighties, and let’s just say I was not disappointed.
Ghost Road Blues is a story that takes place in the small town of Pine Deep, Pennsylvania, which just so happens to have the biggest Halloween celebration in the country. However, things weren’t always this commercial and light in the town which also happens to have a dark past, a serial murderer who ravaged the town before getting brought to justice, in a six-feet-under kind of way. As the festivities roll in for this year’s Halloween, their past is coming back to haunt them, and not all the monsters walking around town are working at the haunted hayride. Now, the citizens of Pine Deep have to work together to stop those trying to resurrect an ancient evil who will finish what he started thirty years ago.
On the surface Gone Girl reads like a whodunit thriller, and it makes a great summer read--but it’s also a literary novel in disguise with its imagery of a landscape of an economic wasteland, the characters’ moral bankruptcy, and its themes of identity and marriage. It’s been the book of the summer for me.
On their fifth anniversary, Nick Dunne comes home, and his wife Amy is gone. The initial crime scene: an open door, the ottoman turned over, broken glass, and the iron left on. Instead of beginning with “boy meets girl,” the plot starts with “boy loses girl.” Detectives arrive and the media circus begins.
Told in alternating he said/she said chapters, we learn the back story of Nick and Amy. Gilliam Flynn throws her readers red herrings with sneaky abandon. I found myself shifting loyalties back and forth from Team Amy to Team Nick and then being horrified and guiltily fascinated with both of them.
Vee Bell has narcolepsy in Slide by Jill Hathaway. Or at least that’s what her family and friends think. Once, Vee tried to tell her father the truth, but he sent her to a shrink who didn’t believe her either. Now she doesn’t even dare tell even her best friend.
Sliding. That’s what Vee thinks of it as. When she gets too tired to fight it, she falls asleep, but doesn’t dream. Instead, she enters other people’s minds. She can hear, smell, taste, and feel everything that they’re experiencing. Sliding only lasts for moments, but it is long enough to exhaust and sometimes scare her. She’s slid into backstabbing friends and teachers behaving badly. As a result, Vee takes constant caffeine pills to stay awake and is always just barely functioning.
Sunshine by Robin McKinley: "There are places in the world where darkness rules, where it's unwise to walk. But there hadn't been any trouble out at the lake for years, and Sunshine just needed a spot where she could be alone with her thoughts. Vampires never entered her mind. Until they found her." (Book summary)
There are lots of lists there to get you started. Some lists I might start with:
Fantasy Can be Funny: http://www.librarypoint.org/booklist/3131
Modern Fairy Tales: http://www.librarypoint.org/
Some series you might enjoy:
The Eyre Affair by Jasper Fforde - A series of books featuring Thursday Next, a literary detective, and head of Jurisfiction in an alternate 1980's Britain. The first title in the series is The Eyre Affair.
Grave Sight by Charlaine Harris - A series featuring Harper Connelly. After being struck by lightning, Harper discovers that she can find dead people and can "see" their last moments on earth.
Chloe and the Lion is not about a young girl facing off with a ferocious feline, no matter what the title says. Sure, Chloe's present, saving up her nickels and dimes to ride the merry-go-round. She does, in fact, spin around that ride so many times that she gets dizzy and lost in the nearby woods. It is at that very point that Chloe should meet a lion. Instead, a large, ferocious, winged, burgundy dragon steps out.
Writing a picture book is hard work. You must have a solid story, likable characters, and the right choice of words. What's more, this delicate balance can be completely thrown out of whack by a maverick illustrator who thinks that "a dragon would be cooler."
In Train Dreams, Denis Johnson constructs a melancholy portrait of the U.S. frontier. Instead of focusing on the raw potential and opportunity most associate with the Western expansion, Johnson elucidates the isolation and stasis involved in “taming” a wild place. Johnson artfully constructs a non-linear account of Robert Grainier’s life on the frontier. Through Grainier’s perspective, we witness the rapid transformation of America – from railroad construction to the proliferation of sleek highways; from influenza epidemics to a random encounter with Elvis Presley. Despite the changes going on around him, Grainier remains a lonely outsider, observing the world’s expedited evolution from a distance.
Fittingly, Grainier’s first memory is of an iconic symbol of movement and progress: a train. As a child, he was sent to Idaho on the Great Northern Railroad to live with his cousins. The experience of locomotion erased all memory of his origins, leaving him with a vague and malleable sense of self: “The whole adventure made him forget things as soon as they happened, and he very soon misplaced this earliest part of his life entirely.