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Have you ever wanted to become a writer and brave the strange and confusing world of trying to sell your work to the publishing industry? Do you feel you might need a refresher course in creating a marketable thriller or romance novel? If you are curious about improving your writing technique to make your work more compelling, concise, or appealing to publishers, you may benefit from How Not to Write a Novel, a writing guide from Howard Mittlemark and Sandra Newman. This guide is a compilation of examples of common writing mistakes that can make novels confusing, boring, or unappealing to read. Humorous and well-organized, this book is both a great educational resource and a good comedic read.
A young boy just wants to play a board game, going from family member to family member without any luck. But when all the distractions are gone, that game looks pretty tempting.
The power outage that affected the northeast United States and Canada in August 2003 was thankfully a peaceful one, especially in New York City. Blackout by John Rocco, revolves around how that lack of electricity affects one family who are all normally just too busy.
Phone calls, dinner, and work on the computer are all more important than a mere board game...until the lights go out Without power, what will everyone do?
Baby's in Black drops you into a smoke-filled club in Hamburg. Despite the German locale, the band on stage is wailing in English about doing the "hippy hippy shake". Everyone's moving except for the bassist, who looks cooler than James Dean.
The band has been playing for hours, and they will continue for several hours more, as per their contract. They pop pills to stay awake for that long. The group is the Beatles. The year is 1960. The bassist is Stu Sutcliffe.
How Music Works offers many answers to a question that I had never even asked. Now that I've read it I wonder, "How could I have gone so long without this information?" Musician and writer David Byrne crafts such an enticing collection of essays, dropping factoids and anecdotes along the way, that I was equally informed and entertained.
More of a blend of personal experience and hypothesis than a hard-line course in objective facts, Byrne tackles nearly every conceivable aspect of the art form: venues throughout history; the creative process; collaboration; recording; and business.
He was happy enough to share his dinner with the lanky man as they were both seekers. He sought the beauty of the Wisconsin countryside in the early autumn. The fellow who sat down beside him, his wool shirt buttoned tight though the day was a warm one, sought the relief of his misery in the beginning of The Illustrated Man, a collection of short stories by Ray Bradbury.
At last he stripped off his shirt in the heat.
"…he was a riot of rockets and fountains and people, in such intricate detail and color that you could hear the voices murmuring small and muted, from the crowds that inhabited his body. When his flesh twitched, the tiny mouths flickered, the tiny green-and-gold eyes winked and the tiny hands gestured. There were yellow meadows and blue rivers and mountains and stars and suns and planets spread in a Milky Way across his chest. The people themselves were in twenty or more odd groups upon his arms, shoulders, back, sides, and wrists, as well as on the flat of his stomach. You found them in forests of hair, lurking among a constellation of freckles, or peering from armpit caverns, diamond eyes aglitter. Each seemed intent upon his own activity; each was a separate gallery portrait."
He was an Illustrated Man, he explained tiredly. A witch from the past and future had stitched the glowing colors into his flesh forty years ago. He had wanted it done so he could always find a job at a carnival, but the pictures, all eighteen of them, came with a curse, and ultimately no traveling show would hire him and no man or woman would be his friend.