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Summer is almost here and many children will be heading to camp. Most parents try to find a camp that will speak to their children’s interests or talents. In the year of the Watergate scandal and Nixon’s resignation, six campers at an arts camp called Spirit-in-the-Woods decide to call themselves, with typical teenaged self-absorption, The Interestings. At camp, everybody gets a trophy for participation, but once they pass through the door into adulthood, who will be ones to keep up with their talents and who may be the one to show it to the world?
"Irish businessman will pay large amount of U.S. dollars to meet a fairy, sprite, leprechaun, or pixie."
The ad was posted on the Internet. Indeed, it generated numerous fraudulent responses, but the person who placed it only needed one true lead for his purposes. He had studied all he could in the mundane world he inhabited, but he knew the important secrets of the Fairy would only be known by others of their kind. However, in Artemis Fowl, by Eoin Colfer, the Irish businessman posting the ad did not mention that he was stupendously rich—and rather young. In his mind, the latter certainly did not signify.
This readalike is in response to a patron's book-match request. If you would like personalized reading recommendations, fill out the book-match form and a librarian will email suggested titles to you. Available for adults, teens, and kids. You can browse the book matches here.
Something from the Nightside by Simon R. Green: "John Taylor is not a private detective per se , but he has a knack for finding lost things. That's why he's been hired to descend into the Nightside, an otherworldly realm in the center of London where fantasy and reality share renting space and the sun never shines." (Book description)
Dead Witch Walking by Kim Harrison
The underground population of witches, vampires, werewolves--creatures of dreams and nightmares--has lived beside humans for centuries, hiding their powers. But after a genetically engineered virus wipes out a large part of humanity, many of the "Inderlanders" reveal themselves, changing everything. (catalog description)
The Devil You Know by Mike Carey
Felix Castor is a freelance exorcist, and London is his stamping ground. It may seem like a good ghostbuster can charge what he likes and enjoy a hell of a lifestyle--but there's a risk: Sooner or later he's going to take on a spirit that's too strong for him. While trying to back out of this ill-conceived career, Castor accepts a seemingly simple ghost-hunting case at a museum in the shadowy heart of London-- just to pay the bills, you understand. But what should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons and ghosts all keen to claim the big prize. That's OK: Castor knows how to deal with the dead. It's the living who piss him off... (catalog description)
On a cold, March day in 1806, Abbie and Seth lost their beloved mother to the smallpox epidemic that was ripping through the town of Wiscasset, Maine. Without food or wood for the fire, the children were in terrible trouble. They could hear the bell tolling for the dead—so many times for a man, so many for a woman, so many for a child. But how many for a missing father? In Lea Wait’s Stopping to Home, the only hope the brother and sister have to survive is that someone in that stricken town will take them in, if only for a little while.
Enough with the zombies, already! Before the undead purportedly trod the moors of Georgian England, it was a relatively pleasant, safe place—albeit humming with an occasional murder and talk of international intrigue. Certainly that should be quite enough to keep a heroine’s attention. Indeed when Jane Austen’s friend Isobel becomes a friend in need upon the suspicious death of her new though elderly husband, it is up to quick-witted Jane to save her life—and reputation!-- in Jane and the Unpleasantness at Scargrave Manor, by Stephanie Barron.
During the early 90s, it became fashionable in some contexts to try to rewrite or downplay aspects of older stories that would be considered sexist, racist, or bigoted in a modern context. Although well-meaning in its intent, this concept ended up creating a great many revisionist versions of old stories that had a tendency to lose the original context of the tales with a newfound preoccupation on social issues. James Finn Garner parodied this trend in two mid-90s collections of short stories, Politically Correct Bedtime Stories and Once Upon a More Enlightened Time. These two novella-length collections are composed of parodies of classic fairy tales with plots and characters reinterpreted in a “politically correct” style. Although the amount of laughs each “bedtime story” generates are uneven, the best of the stories make for entertaining, quick reads that will amuse readers looking for subversive wit.