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One sign of a good book is that you come to the last page and want to start all over again. Connie Willis’s Blackout and All Clear – which should really be read straight through as one – made me wish for leisurely hours in a hammock, where I could go back and savor every plot twist, every character and every word.
Paris retains an eternal allure for the creative. And the gifted expatriates who flocked to the City of Lights in the 1920s often felt the hallowed pursuit of their individual muses justified unconventional personal behavior. The Paris Wife by Paula McLain chronicles the courtship and subsequent marriage of Hadley Richardson and Ernest Hemingway—a relationship strained and eventually damaged by their friends’ hedonistic lifestyles.
Hadley, who was seven years his senior, met her future husband in Chicago. Although quite the ladies’ man, Hemingway was immediately drawn to her wholesome beauty, even temperament, and courage. Hadley’s unconditional support bolstered Hemingway, a man already plagued by multiple demons, and gave him the companionship he needed to wholeheartedly pursue his writing.
In The Freak Observer, by Blythe Woolston, Loa Lindgren is not your typical 16-year-old and yet she is a quintessential one. Her life is certainly not the ideal. In the past year her family has fallen apart, having lost the one thing that their lives revolved around: her little sister, Asta, named for the stars. Born with Rett’s syndrome, she stopped growing after a few months and was destined to remain infantile her entire life, until she suddenly died. Without the constant need to care for Asta, Loa and her family are like planets without a star to revolve around, cut loose to wander the universe. They are, of course, also stricken with grief, each one reacting in their own way. Her father has fits of violence. Loa wakes screaming from nightmares--just one terrifying symptom of a case of Post-Traumatic Stress Disorder (PTSD).
This readalike is in response to a patron's book-match request. If you would like personalized reading recommendations, fill out the book-match form and a librarian will email suggested titles to you. Available for adults, teens, and kids. You can browse the book matches here.
Ape House by Sara Gruen: When a family of bonobo apes who know American Sign Language are kidnapped from a language laboratory, their mysterious appearance on a reality TV show propels scientist Isabel Duncan, together with reporter John Thigpen, on a personal mission to rescue them. An entertaining book that calls into question our assumptions about these animals who share 99.4% of our DNA.
If you like Sara Gruen's Ape House, you may also like these titles and authors.
A Dog's Purpose by W. Bruce Cameron
This is the remarkable story of one endearing dog's search for his purpose over the course of several lives. More than just another charming dog story, this touches on the universal quest for an answer to life's most basic question: Why are we here? Surprised to find himself reborn as a rambunctious golden haired puppy after a tragically short life as a stray mutt, Bailey's search for his new life's meaning leads him into the loving arms of 8 year old Ethan. During their countless adventures Bailey joyously discovers how to be a good dog. But this life as a beloved family pet is not the end of Bailey's journey. Reborn as a puppy yet again, Bailey wonders, will he ever find his purpose?
Heartwarming, insightful, and often laugh out loud funny, this book is not only the emotional and hilarious story of a dog's many lives, but also a dog's eye commentary on human relationships and the unbreakable bonds between man and man's best friend. This story teaches us that love never dies, that our true friends are always with us, and that every creature on earth is born with a purpose. (Catalog summary)
The Elephant Keeper by Christopher Nicholson
Deeply soulful and richly imaginative, this magical adventure tells the story of two baby elephants and the young man who accidentally finds himself their keeper. (Catalog summary)
Ella Fitzgerald developed a love for music and singing while she was a young girl growing up in New York. She and her mother Tempie used to dance around their apartment while Ella's younger sister Frances repeatedly put the needle back to the beginning of the record so that they could dance and sing the day away. They had such a grand time that they forgot all about the washing and the ironing. The book Skit Skat Raggedy Cat Ella Fitzgerald by Roxanne Orgill and illustrated by Sean Qualls introduces us to the young Ella. At thirteen, Ella and her friend Charlie were singing and dancing on Morgan Street outside the apartment building. It was 1930 in Yonkers New York and people did not have much money. But some folks were able to spare some change for Ella and Charlie. They occasionally had a nickel or two tossed at them.
Charlie and Ella put their nickels together and they were able to take the Number 1 trolley to the end of the line. From there they climbed aboard the subway train to 125th Street. They were in Harlem. Ella watched the dancers at the Savoy Ballroom on Lenox Avenue. When Ella and Charlie danced outside the theatre, people tossed them their loose change. They were making more money than the shoeshine boys. Ella knew that she was going to be famous and she told everyone so.
"We have no dinosaur, it says on a hand-lettered sign outside a farm that puts on rattlesnake rodeos."
To find pleasure in Conquest of the Useless, you must have at least a passing familiarity with the filmmaker Werner Herzog. Herzog has been writing and directing films for five decades, but only a few of his movies have broken into the American mainstream. The most well known here are the documentary Grizzly Man and the Vietnam War film Rescue Dawn (starring Christian Bale).
Each of Herzog's works oozes with a mood of effortless intensity, as if he has summoned the stress and obsessions of humanity like moths to a flame. Whether it's Timothy Treadwell (Grizzly Man's protagonist, who lived with and was inevitably eaten by bears) or Nosferatu (from Herzog's 1979 remake), the director is singular in his subjects' driven focus on their goals and desire, no matter how self-destructive they may be.