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If you are a dog lover, you will love this book. Only dog lovers would understand giving up their free time and a good portion of their shoes, which somehow turn into chew toys, in return for the unconditional love of a pup. But really, all animal lovers can relate to this story. You Had Me at Woof: How Dogs Taught Me the Secret of Happiness by Julie Klam is a hilarious memoir about how one woman went from being single at thirty and by herself in her Manhattan apartment to working in a dog rescue, married, and parenting all with the help of Otto, a Boston Terrier rescue. From Otto, Klam learned to share her life with another living being, which led her to a completely different lifestyle.
Kenneth Oppel introduces us to young Victor Frankenstein in his new book, This Dark Endeavor: The Apprenticeship of Victor Frankenstein. Victor is sixteen years old and very curious about alchemy. He lives with his twin brother Konrad and his cousin Elizabeth. They are victims of typical teen curiosity and idle times. As they explore their extensive chateau in Geneva, they discover the previously unknown Dark Library. Clearly, this is a forbidden area to explore. They discover books about alchemy and ancient remedies. Their foray into the off-limits room is discovered by Victor and Konrad's father. He is incensed and instructs them to never go into the room again and to certainly never explore the writings.
Gabriel King is scared of everything. His many fears include spiders, loose cows, and even his best friend Frita's basement. Frita Wilson is a tough girl and she has every intention of helping Gabriel overcome his fears, especially when one of those is going to the fifth grade. The year is 1976, Frita and Gabriel have just graduated from the fourth grade, and they only have one summer to get rid of all of Gabriel's fears. The Liberation of Gabriel King, by K.L. Going, is about a boy who attempts to be brave with the help of his best friend.
“They’re not going to send a crazy man out to be killed, are they?”
“Who else will go?”
Yossarian is possibly the only sane man in the world. Thousands of people he’s never met keep trying to kill him. No one seems to understand his predicament, and no matter how much he refuses he is still forced to risk his own life over and over again. That would be because Yossarian is a bombardier stationed in a squadron off of Italy during World War II, and the people trying to kill him are German soldiers, although it sometimes seems more like it’s his superiors who want him dead.
Catch-22, by Joseph Heller, is in its own class as a novel. It has its own logic, structure, and rhythm. The plot sounds simple -- a man is afraid of going on combat missions because he might be killed -- but there is so much more to it than that. It’s funny, heart-breaking, silly, and meaningful. It is an elaborate critique of bureaucracy, showing the useless repetitions and absurd contradictions that bureaucracy creates, such as the eponymous Catch-22 that thwarts Yossarian: if a man is insane, then he is unfit for combat duty. However, if he requests to be removed from combat that proves he is in fact sane and has to continue fighting, because a sane man would want to protect his life, while only a crazy one would willingly going into combat.
Richard Wright’s Native Son is an exceptional example of dynamic, participatory literature. Rather than allowing the reader to effortlessly absorb the words on the page, Wright undermines the passivity and comfort we often expect when reading. Both the content of the novel and Wright’s literary style provoke and disturb, immersing the reader in a dense psychological terrain that is simultaneously intimate and larger-than-life.
Set in Chicago in the 1930s, Native Son follows the life of Bigger Thomas, a young African-American man living in squalor with his mother and siblings. Bigger’s mother holds him accountable for the welfare of the family, but his ability to work towards a stable life seems perpetually hindered. He can’t overcome his poverty because he can’t get a job that pays well, and he can’t get a decent job because of his lack of education and limited social mobility. He is also imprisoned by the sense that, as an African-American man, his mere existence has been criminalized: “There was just the old feeling, the feeling that he had had all his life: he was black and had done wrong.”
Ever since Jacob’s childhood, Grandpa Portman has thrilled him with tales of a beautiful island that provided a safe haven during World War II. On the island was a home for children, populated by a mix of kids with strange abilities. There were even photos to corroborate these fantastical stories – bizarre pictures of a levitating girl, an invisible boy (so all you see is a floating suit), a boy who is a living beehive to a swarm of bees inside of him, and so on. But as he grew older, Jacob came to see these stories as only foolish fairy tales, and asked Grandpa Portman to stop telling them in Miss Peregrine’s Home for Peculiar Children by Ransom Riggs.
Now Jacob is sixteen, and a terrible family tragedy has mired him in a miasma of depression and uncontrollable fear. To try and reverse his disintegrating mental state, he decides to look for his grandfather’s mythical island, and travels with his father to a remote island off of the coast of Wales. There he finds the decaying ruins of Miss Peregrine’s Home for Peculiar Children – and a lot more that he didn’t anticipate: friendship, danger, love, and the pain of making irrevocable decisions.