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In its first chapters, Sweet Tooth begins like Dickens’ David Copperfield. Serena Frome (rhymes with Plume) tells of her unremarkable childhood and how she ends up working as a spy for Britain’s MI5. With her blonde and beautiful looks, she is a bit of a Bond Girl and wreaks havoc on the men around her.
A good all-around student, Serena devours novels and wants to do an English degree in a small university, but her housewife mother, in an uncharacteristic fit of feminism, tells her she has a chance of making something of herself by going to Cambridge and doing “maths.”
What's wrong with this story:
A father tells the authorities his daughter can do impossible things AND the authorities believe him.
A soon-to-be bride promises to give her future baby away to a TROLL.
Said bride agrees to marry the man who's threatened to kill her if she can't keep doing the impossible.
What would a troll do with a baby anyhow, and why would he give her all that spun gold for a tiny ring?
Why doesn't the heroine do ANYTHING to get herself out of this predicament?!
This old fairy tale is such a ridiculous story that the author wanted to fix it. So Vivian Vande Velde set out to do so six different ways in The Rumpelstiltskin Problem. The characters never come out the same in these retellings. The troll in "A Fairy Tale in Bad Taste" has gruesome appetites. "Straw Into Gold" has our beauty and her father resorting to an elaborate con game to keep from starving to death in the days before Social Security or insurance.
Tom Bissell's Magic Hours: Essays on Creators and Creations represents the best of what an essay collection can offer: incisive observations about a wide range of intriguing topics, intelligent social commentary that refrains from didacticism, and a good sense of comedic timing. Bissell's essays are characterized by impressive eclecticism. He discusses established cultural figures like Ernest Hemingway, David Foster Wallace, and Werner Herzog, as well as less conventional subjects, such as Tommy Wiseau (the auteur responsible for the cult film The Room), the Underground Literary Alliance, and Jennifer Hale, “the Queen of Video-game Voice-over.” While these topics might seem incurably disparate, Bissell's interest in the process and consequences of creation provides a framework which links them together.
Legends of Zita the Spacegirl is Ben Hatke's second comic book about a gutsy gal who just happens to be lost in the universe. Zita has already saved the planet Scriptorus and is now on a publicity tour, hopping from world to world to shake hands and answer questions from all sorts of alien beings.
Have you ever wanted to become a writer and brave the strange and confusing world of trying to sell your work to the publishing industry? Do you feel you might need a refresher course in creating a marketable thriller or romance novel? If you are curious about improving your writing technique to make your work more compelling, concise, or appealing to publishers, you may benefit from How Not to Write a Novel, a writing guide from Howard Mittlemark and Sandra Newman. This guide is a compilation of examples of common writing mistakes that can make novels confusing, boring, or unappealing to read. Humorous and well-organized, this book is both a great educational resource and a good comedic read.