This author has had enough wild, true-life experiences to fill an entire shelf of books. She grew up helping her parents run a hotel in a part of Yuma, Arizona where all kinds of shady characters hung out. As a kid, she was brilliant, brave, and very sure of herself. Nancy didn’t care for school much. Indeed, she was dyslexic (and undiagnosed) and failed two grades because of it. But as she got older, she did read all the classics in the hotel library. One day when ditching school, Nancy discovered the cool spaces and amazing stories at the public library. Reading took hold of her and never let go.
In Taemon's world, the community of Deliverance, all activity and actions take place through the use of telekenesis.For example, no hands are needed when eating. One simply lifts the food into one's mouth through the power of thought. In fact, it is considered unseemly to use one's hands at all in the book Freakling, by Lana Krumweide. Additionally, Taemon is able to harness his psi in a rather unconventional way. He is able to let his mind wander. This enables him to see into the inner workings of things. But allowing one's mind to wander is forbidden.Taemon is an out-of-the-box thinker in a world that wants to box everyone in.
Michael Vey has a secret. He and his mother moved away from their home in California so that his secret would not be discovered. Michael has Tourette's Syndrome, but that is not his secret, though the facial tics that are associated with his condition often make him the subject of bullying and teasing. On the way home from school one day, Michael encounters some bullies who attempt to beat him up. At that moment, Michael's secret is revealed. He can harness electricity and send it out of his hands. This event is witnessed by Taylor, a popular cheerleader. Taylor confronts Michael at school the next day and questions him about what she saw. Taylor, it turns out, also has a secret. In the book, Michael Vey: The Prisoner of Cell 25, Richard Paul Evans, introduces us to a different breed of superheroes...teens with superpowers.
Imagine a future where teens rent their bodies to senior citizens who want to relive the moments of their youth. In Starters by Lissa Price, this is exactly what happens. A genocide spore killed everyone who wasn't vaccinated in time. Left behind are the very young and the very old. Many children are left without parents or caretakers. They must survive in an unfriendly world where they are viewed as unattended minors and are forced to resort to any means possible in order to survive. If a teen agrees to rent out their body to a senior, they are paid a substantial sum of money. It is very enticing to a starving and homeless teenager.
Oh, John Scalzi, how I love you (~swoons~). Your likeable characters, intricate but uncomplicated plots, your passion for science fiction. . . you COMPLETE me. And your latest offering, Redshirts, does not disappoint. I knew the moment I read the title oh, so many months ago, that the Trekkie in me would melt at the book's first words. I was not mistaken.
Growing up in a military family, Star Trek's flaws were constantly pointed out to me. That preposterous notion that the entire senior staff would be sent time and again on dangerous missions with no one with any real command experience left in charge. I didn't care. Star Trek was cool, like bow ties, fezes, and Stetsons. But I'm ashamed to say I never did notice the disturbingly high mortality rate of the red-shirted junior officer on away missions. It wasn't until years later that I heard the term "redshirt" that it occurred to me, oh yeah, those guys were always toast, weren't they? Still, I never really gave them much thought, save for when I heard someone use the term I could go "Hey, I understood that reference! Yeah, those guys died, like, A LOT, didn't they?"
Let me get this out of the way: if you're not a "computer person," someone with more than a vague knowledge of computer networking technology, Brain Jack, by Brian Falkner, is probably not the book for you. If, however, you ARE such a person, Brain Jack will start off as the kind of thriller that you think you will love, but its ending, like so many other cyber-thrillers, feels rushed and absurd. Don’t get me wrong--you'll enjoy reading it, but don't expect anything too deep from this book.
Sam is the generic hero of our story. He's 17; he's a computer prodigy; and he's going to save the country from itself. The world of Brain Jack is set only a few years into our future. Falkner does a good job of building a world that, initially, is entirely conceivable based on our present. Computer technology is even more prevalent, and its consequences all the more potent. Las Vegas has been the victim of a nuclear attack that has left it in ruins, and the rest of the country is decaying under strict martial conditions.
“Any memorable children’s book will possess drama, vitality, vividness, possibly wit and humor, and its own dignity—that is, a deep respect for the child’s quick and devastating perceptions. As for the story itself, it will convey a sense of complete inevitability, a feeling of rightness throughout the whole structure. This can only be attained by the writer’s evoking the true aura of childhood through re-experiencing that emotional state he lived in as a child, a state composed of delight in the simplest, most secret, sometimes the oddest things, of sadnesses and fears and terrors one could not or would not explain, of a continuing wonder about much that seems drab and familiar to adults”
--Eleanor Cameron writing in The Green and Burning Tree: On the Writing and Enjoyment of Children’s Books, pg. 14
Eleanor Cameron was capable of doing all these things, whether writing science fiction, fantasy or more everyday stories. She was a celebrated children’s writer of the 1960s and 1970s and was known for her lyrical style and the honesty with which she told her tales. A mature reader of That Julia Redfern, featuring an aspiring young writer living in the 1910s Berkley, can easily find grown-up themes that are layered into the story and come to fruition in books about an older Julia, such as A Room Made of Windows.
My first thought upon reading the description of Daniel H. Wilson's Robopocalypse was "Terminator rip-off." But I kept thinking, "Robots and the apocalypse, two of my favorite things to read about in fiction." I'm not making that up. And really, anything after Terminator 2 in the franchise doesn't, in my mind, count. I've always wanted a lot more detail about how the robot uprising occurs and how people struggle in the coming war, especially people who are not John Connor. After reading Robopocalypse, I want to assure you that it is as far removed from Terminator lore as anything "robot apocalypse" could possibly be. If you're someone who likes to be frightened and enjoys books where the mundane is made decidedly strange, then you might enjoy Robopocalypse.
Divergent, by Veronica Roth, is an example of dystopian young adult fiction at its best! It takes place in a Chicago of the future--in a world that has been rebuilt after society collapsed. In an attempt to avoid the problems of the past, this new Chicago society is divided into five factions - Dauntless (bravery), Amity (friendship), Erudite (knowledge), Candor (truth), and Abnegation (selflessness). Each faction follows a strict code of conduct; each has its own ideals; and each has its own role in governing the new society. At the age of 16, every person throughout the city must go through a simulation designed to show him or her which faction would be most suitable to join.
For science fiction aficionados, the premise of WWW: Wake by Robert J. Sawyer initially sounds, well, perhaps a bit contrived (even beyond the normal contrivances of science fiction). But keep reading: the protagonist, Caitlin Dector, is a young blind millennial who has never known a world without the Internet, a world she can navigate with ease through the use of assistive technologies. Caitlin becomes the subject of an experimental procedure to restore sight. However, when her vision is "switched on" she does not see the physical world, but an abstract representation of the World Wide Web. While exploring her strange new ability, she discovers a growing intelligence emerging from within the Web . . . see what I mean? My first thought after hearing this description was, "That sounds like the plot of a bad 90s Outer Limits episode." After cracking the book open however, I found WWW: Wake tells a fascinating story, blending the best of both science fiction and hard science as well as cyberculture, blind culture, information theory, epidemiology, world politics, family dynamics, pedagogical theory, teenage culture, and probably a few other things I'm not thinking of. All of that in one book. And it's really, really good.