Let me get this out of the way: if you're not a "computer person," someone with more than a vague knowledge of computer networking technology, Brain Jack, by Brian Falkner, is probably not the book for you. If, however, you ARE such a person, Brain Jack will start off as the kind of thriller that you think you will love, but its ending, like so many other cyber-thrillers, feels rushed and absurd. Don’t get me wrong--you'll enjoy reading it, but don't expect anything too deep from this book.
Sam is the generic hero of our story. He's 17; he's a computer prodigy; and he's going to save the country from itself. The world of Brain Jack is set only a few years into our future. Falkner does a good job of building a world that, initially, is entirely conceivable based on our present. Computer technology is even more prevalent, and its consequences all the more potent. Las Vegas has been the victim of a nuclear attack that has left it in ruins, and the rest of the country is decaying under strict martial conditions.
“Any memorable children’s book will possess drama, vitality, vividness, possibly wit and humor, and its own dignity—that is, a deep respect for the child’s quick and devastating perceptions. As for the story itself, it will convey a sense of complete inevitability, a feeling of rightness throughout the whole structure. This can only be attained by the writer’s evoking the true aura of childhood through re-experiencing that emotional state he lived in as a child, a state composed of delight in the simplest, most secret, sometimes the oddest things, of sadnesses and fears and terrors one could not or would not explain, of a continuing wonder about much that seems drab and familiar to adults”
--Eleanor Cameron writing in The Green and Burning Tree: On the Writing and Enjoyment of Children’s Books, pg. 14
Eleanor Cameron was capable of doing all these things, whether writing science fiction, fantasy or more everyday stories. She was a celebrated children’s writer of the 1960s and 1970s and was known for her lyrical style and the honesty with which she told her tales. A mature reader of That Julia Redfern, featuring an aspiring young writer living in the 1910s Berkley, can easily find grown-up themes that are layered into the story and come to fruition in books about an older Julia, such as A Room Made of Windows.
My first thought upon reading the description of Daniel H. Wilson's Robopocalypse was "Terminator rip-off." But I kept thinking, "Robots and the apocalypse, two of my favorite things to read about in fiction." I'm not making that up. And really, anything after Terminator 2 in the franchise doesn't, in my mind, count. I've always wanted a lot more detail about how the robot uprising occurs and how people struggle in the coming war, especially people who are not John Connor. After reading Robopocalypse, I want to assure you that it is as far removed from Terminator lore as anything "robot apocalypse" could possibly be. If you're someone who likes to be frightened and enjoys books where the mundane is made decidedly strange, then you might enjoy Robopocalypse.
Divergent, by Veronica Roth, is an example of dystopian young adult fiction at its best! It takes place in a Chicago of the future--in a world that has been rebuilt after society collapsed. In an attempt to avoid the problems of the past, this new Chicago society is divided into five factions - Dauntless (bravery), Amity (friendship), Erudite (knowledge), Candor (truth), and Abnegation (selflessness). Each faction follows a strict code of conduct; each has its own ideals; and each has its own role in governing the new society. At the age of 16, every person throughout the city must go through a simulation designed to show him or her which faction would be most suitable to join.