From the mid-1950s to the late 1980s, the world of animation in the United States experienced a severe quality drought. Television animation was cheaply and quickly produced and loaded with errors. Feature-length animation experienced severe budget cuts, and the number of animated movies being released was drastically reduced. Cartoons that many generations grew up watching were made with “limited animation”—a style that utilized as few frames as possible, which resulted in choppy, simplified character motions.
The graphic novel Spider-Man: New Ways to Die begins like many Spider-Man stories before it. There is a brief explanation of Peter Parker’s dual life as a superhero and a photographer stuck in perpetual poverty, quickly followed up by a battle between Spidey and the newest “Goblin” character, Menace.
However, it quickly becomes clear to the reader that the status quo has been greatly changed for this latest adventure. Parker works for a different newspaper, his former nemesis Eddie Brock is dying of cancer, and Norman Osborn, previously the Green Goblin, is in charge of the Thunderbolts, a team of “hero hunters” out to capture Spider-Man.
Have you ever been in a situation where you faced impossible odds to succeed? Or, have you ever gone up against an opponent seemingly superior to you in every way? These traits are usually associated with a brave protagonist “overcoming the odds” but can sometimes be compellingly applied to a villain as well. Lex Luthor, a villain almost as old as the Superman mythos itself, has long existed without a compelling character hook. He was originally a fat, bald man who schemed to ruin Europe simply because he could.
Hawkeye: My Life as a Weapon doesn't have the slick visuals or bright colors that you would normally imagine a member of the Avengers getting. Nor does it offer a conventional superhero storyline. Clint Barton, a master archer, was created by Stan Lee in 1964. Writer Matt Fraction is breathing life into him by contrasting him with all of those other super-powered heroes.
Battling Boy has twelve t-shirts, each with a different creature emblazoned on the front. Apparently, they give him his powers, but he does not quite know how to use them yet. You see, Battling Boy is in training to be a superhero.
This fact does not offer much solace to the people of the planet Arcopolis. Their children are routinely being kidnapped by a wretched gang of monsters, led by a mummyish kingpin named Sadisto. They used to not have to worry about this sort of thing as much, back when Haggard West was their planet's superhero. Too bad Haggard West is now dead.
Superman is perhaps the longest lived of the classic Golden Age superhero characters to remain in the public imagination, and, in addition to a 75-year history of comic book publication, the character has also had a long career on the silver screen. Unlike many other superheroes, Superman has an extensive history of being utilized as a film character, and his film appearances have influenced his portrayal in comic books in many fascinating ways.
Metro City’s very own superhero Captain Amazing is getting too old for his job, so he’s going to need some backup. Sidekicks is the journey of some die-hard hero wannabes who wish to join the captain for one very simple reason: They are his pets, and he hasn’t been paying them any attention lately.
Fourteen-year-old Zach Harriman lives in New York City with his mother and father. He has been living the life of a typical teen until his father is killed under mysterious circumstances. In Mike Lupica's book Hero, Zach decides that following the devastating loss of his father, he wants to get to the bottom of the story. He knows that his father was powerful and had the ear of the President of the United States. He knows that his father was very skilled in his job of "getting things done." Zach suspects that his father's death was no accident but a premeditated murder by an organization known as the "bads."