The Singing Bones is a unique and brilliant take on the Brothers Grimm and their timeless folktales that have traveled through the ages.
We're calling these art sessions "creative gatherings" because we'll be meeting for informal demonstrations, to work on independent projects or discover possibilities for artistic collaborations, and to just have fun. Artist Peggy Wickham will be on hand at the England Run MakerLab, on the 4th Tuesdays, from 7:00 to 8:45.
If you’ve despaired of teaching high-energy young ones to learn to love art because it’s such a quiet, seated activity—and they just can’t—Tullet’s Art Workshops for Children is the book for you.
This Belongs to Me is a DIY designer's dream, offering ideas and suggestions to transform your ordinary belongings into unique, personal reflections of you.
Using paints, pens, clay, and more, Anna Wray offers 14 different projects for you. From a barcode t-shirt to customized earbud headphones, Wray gives you the chance to use your imagination and make a statement with your clothes, accessories, and furniture.
Rock music provocateur Lou Reed passed away this week at age 71. Best known for his work with the proto-punk band The Velvet Underground, Reed supplied tough, gritty lyrics while John Cale offered up a dissonant musical journey unlike any heard at the time. Reed and Cale went on to make some transcendent solo albums as well, but my favorite collaboration of theirs will always be Songs For Drella.
Ah, the wacky uncle. He is an institution as old as the concept of family itself. Many can claim to have one, but few can say that his uncle is one of the most important artists of the 20th century. That's where Uncle Andy's, by James Warhola, figures in.
Before Warhol was a painter, a filmmaker, and a celebrity, he was Andrew Warhola. After college, he shortened his name and left his home in Pittsburgh to start an art career in Manhattan. But back in Steel City was Andy's older brother Paul, who worked in a junkyard and was father to seven children, one of whom was our author/illustrator James. Paul used a lot of the trash he found to make sculptures, and if he found something particularly unusual, he would bring it to Andy.
Tom Bissell's Magic Hours: Essays on Creators and Creations represents the best of what an essay collection can offer: incisive observations about a wide range of intriguing topics, intelligent social commentary that refrains from didacticism, and a good sense of comedic timing. Bissell's essays are characterized by impressive eclecticism. He discusses established cultural figures like Ernest Hemingway, David Foster Wallace, and Werner Herzog, as well as less conventional subjects, such as Tommy Wiseau (the auteur responsible for the cult film The Room), the Underground Literary Alliance, and Jennifer Hale, “the Queen of Video-game Voice-over.” While these topics might seem incurably disparate, Bissell's interest in the process and consequences of creation provides a framework which links them together.
Baby's in Black drops you into a smoke-filled club in Hamburg. Despite the German locale, the band on stage is wailing in English about doing the "hippy hippy shake". Everyone's moving except for the bassist, who looks cooler than James Dean.
The band has been playing for hours, and they will continue for several hours more, as per their contract. They pop pills to stay awake for that long. The group is the Beatles. The year is 1960. The bassist is Stu Sutcliffe.
Jeremy Draws a Monster never gets too scary. The beast in question has some horns and is a bit of a snaggletooth, but his eyes are too tiny to be that threatening. Still, this monster is this one rude dude. Jeremy seemed to just want a friend to play with. He stays inside while other children play soccer. So he takes a fancy pen and draws this creature creation.
Part graphic memoir, part travelogue, A Year in Japan offers a unique perspective on everyday life in Japan. In this charming, whimsical book, Kate T. Williamson adopts a counterintuitive approach to travel writing. Rather than striving to represent the grand, monumental aspects of Japanese culture and history, Williamson focuses on capturing the minutiae--fragmented memories, experiences, and revelations that emerged during the year she spent living in Kyoto. As a Westerner, Williamson has an outsider’s perspective on Japan. But because she had the opportunity to live there and become enmeshed in another way of life, Williamson was able to glean insights and perspectives that would be invisible to your run-of-the-mill tourist. Williamson’s artistic talent also helps concretize her observations, creating an enchanting combination of vivid, unexpected descriptions and beautifully rendered watercolor illustrations.