She'll Be Coming 'Round the Mountain takes the popular folk song to new heights of silliness. A serenading cactus begins our tune, inviting us to sing along. The "She" in question is a pint-sized cowgirl whose legend grows with the song.
We start normally enough, but when we find out that the six white horses she'll be driving are named "Misty, Moonbeam, Milkshake, Stardust, Silvermane, and Snowflake," we find ourselves riding off the beaten path into hilariously imaginative scenarios involving jelly-juggling and rooftop-dancing.
An unseen beast trumpets mightily. There is a slight pause, then the drums approach, rolling across the sonic landscape. Picaresque, The Decemberists' densely-textured folk pop album, begins.
Being dubbed "The Queen of Folk" is no small feat. Having Martin Luther King, Jr. give you that title is something else entirely. That is how strongly affecting the music of folk pioneer Odetta is.
The Tradition Masters is a collection of Odetta's most invigorating traditional songs. Born in Birmingham in 1930, Odetta Holmes helped to embody both the Civil Rights and the Folk Revival movements of the 1950's and 60's. One could say that she was in the right place at the right time, but that would fail to credit her heart-stopping talent as a musician and vocalist.
I am an addict...and my addiction is popular music. I adore it. Who doesn't? We all have our favorite songs, artists, genres. The right track at the right moment can hit us emotionally or physically, make us weep or dance. What I like almost as much as music are all of the details and stories that lead up to the making of some of my most cherished albums. That's where the 33 1/3 series comes in.
Started in 2003 by editor David Barker, 33 1/3 is a collection where each volume examines the allure of a particular album as well as the artist who recorded it. Named after the number of revolutions on an LP record, the series spans rock, hip-hop, folk, metal, pop, country, dance, punk, electronica, and world. There is something here for everyone.
A daughter of union organizers, Mary grew up in Greenwich Village and while only a teenager sang backup for the legendary Pete Seeger. Today, her clear, warm vocals on songs written by Seeger and Bob Dylan remind us of the softer aspects of 1960s social struggle. "If I Had a Hammer," "Where Have All the Flowers Gone" and "Blowin' in the Wind" are still favorites for youth groups.