In A Vision of Light, by Judith Merkle Riley, Margaret of Ashbury is a rather ordinary albeit quite pretty woman—ordinary that is, except for the Voice she sometimes hears and the visions she sometimes sees. One day, the Voice tells Margaret that she should write a book about the extraordinary things that have happened to her. She argues with the Voice… she is a woman so who would listen to her, and what is more, like nearly everybody, she does not know how to write. And further, she has not done any great deeds worth writing about.
The Voice answered:
“Put in it what you have seen. There is nothing wrong with being a woman, and doing ordinary things. Sometimes small deeds can show big ideas. As for writing, do as others do: get someone to write it for you.”
“Voice,” I said, “how do I know you are from God, and not the Devil, tempting me into something foolish?”
“Margaret,” answered the Voice, “isn’t it a good idea? God never gives bad ones.”
Johann had been terrible to her, absolutely terrible! Beautiful, 17-year-old Giselle told him that she loved him, and he had waved her away. He thought her family was not rich enough, not important enough for him to consider a relationship with her. But Johann was wrong. Shortly after he humiliated her, she and her sister discovered that they did come from an important family—and they were rich. For Giselle and her identical twin Ingrid are Dr. Frankenstein’s Daughters.
As Cecilia Holland’s historical romance Great Maria opens, our young and pretty heroine is doing what any well-bred medieval girl might be about on a blustery afternoon: visiting a religious shrine some miles from home and contemplating a life in the convent. Guarded as she is by a handful of her father’s knights, she cannot help noticing that one of them is extremely young and handsome... and that he has noticed her. But when a sudden vicious attack leaves her in dire peril, it is an older knight with cool gray eyes who defends her and brings her back to her father’s castle.
In its first chapters, Sweet Tooth begins like Dickens’ David Copperfield. Serena Frome (rhymes with Plume) tells of her unremarkable childhood and how she ends up working as a spy for Britain’s MI5. With her blonde and beautiful looks, she is a bit of a Bond Girl and wreaks havoc on the men around her.
A good all-around student, Serena devours novels and wants to do an English degree in a small university, but her housewife mother, in an uncharacteristic fit of feminism, tells her she has a chance of making something of herself by going to Cambridge and doing “maths.”
Never Apologize for Your Reading Tastes. Libraries live by this adage from Betty Rosenberg. But, truthfully? We're all biased. There are those who won't get near a bestseller--reading only serious non-fiction, or, perhaps, literary fiction. My personal eye-rolling, disdainful sniffiness was aimed squarely at paperback romances. Until I actually, well, read some of them.
Ryan Dooley has always been in trouble. Victim Rights, by Norah McClintock, tells of his journey from one side of the law to the other. Dooley, as he prefers to be called, had a hard life growing up. He was forced to try to care for his mother, all the while taking care of himself because no one else was able to take care of him. However, when his ex-cop uncle found him in a juvenile detention center, he offers him an ultimatum. If Dooley will stay out of trouble, his uncle will provide for him until he turns eighteen in a couple months.
Do you believe in ghosts? Violet Willoughby does not and she is the daughter of a medium, albeit a fraudulent one. In Haunting Violet by Alyxandra Harvey, the year is 1872, London England and Violent is the daughter of a scheming, manipulative and opportunistic mother who wants her to “marry up” no matter what. They rig séances and swindle unsuspecting high society spiritualists. After many faked séances Violet remains a skeptic of ghosts until one fateful night she sees a transparent girl oozing water and lilies and who will not rest until her killer is brought to justice. Violet is the only one who sees the very persistent spirit and soon realizes that it is up to her to solve the mystery behind her death in order to have the spirit be at peace.
Best friends forever, Lani and Erin have been friends since they can remember in Susane Colasanti's Something Like Fate. Their lives are tied together by a tragedy that happened years ago, and neither girl can now imagine a life without one another. They have always been inseparable but their lives are rapidly changing, moving them farther away from each other.
Lani is an environmental activist and a high school student. In her school, it isn't exactly cool to care about the environment. Her best friend Erin is in the popular crowd, the Golden Kids. They used to both be part of the group but when Lani quit hanging out with the group and stopped going to their parties, she fell out of touch with the Golden Crowd. The best friends have a hard time spending time together with Erin hanging out with the popular kids and Lani promoting recycling and green activities.
Emma has just graduated from college when she meets Dexter. She’s smitten with his beauty and drawn to his easy self-confidence. For his part, Dexter realizes that Emma is probably the most intriguing person he has ever met. That’s high praise, indeed, from a guy to whom women flock in great numbers. One Day by David Nicholls follows the two over the course of almost twenty years.
While Emma has plans to change the world, life simply happens—and in a big way—to her handsome friend. Despite her considerable talents, Emma can’t seem to jumpstart her career. Dexter, on the other hand, falls into a media job. His natural attributes make him an instant success, and considerable fame and fortune follow shortly. But what Dexter was certain was the path to happiness leads him instead to a hollow existence.
Grief is a love story told backwards.
Heidi is no strangers to loss. She almost lost her mother as a child; she lost a baby. Two years ago Heidi lost her husband Henry, and she has been lost ever since. She is a gifted pastry chef who cannot even bake a cake for her sister’s wedding. The world has moved on but she has not. She is literally grief-stricken. She cannot explain to her now anxious germ-phobic son Abbott how in one moment your safe world can change suddenly and irrevocably. In The Provence Cure for the Brokenhearted, Bridget Asher captures Heidi’s sadness and her path back to love with great empathy, gentle humor and vivid imagery. The novel is sweet without being sappy and great for the armchair traveler to Provence.