1930s -- fiction
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The Paris Wife by Paula McLain
Meeting through mutual friends in Chicago, Hadley is intrigued by brash "beautiful boy" Ernest Hemingway, and after a brief courtship and small wedding, they take off for Paris, where Hadley makes a convincing transformation from an overprotected child to a game and brave young woman who puts up with impoverished living conditions and shattering loneliness to prop up her husband's career. (catalog summary)
If you like the biographical fiction of The Paris Wife, you should check out these titles as well:
Caleb's Crossing by Geraldine Brooks
In 1665, a young man from Martha's Vineyard became the first Native American to graduate from Harvard College. Upon this slender factual scaffold she has created a luminous tale of love and faith, magic and adventure. (catalog summary)
Cutting for Stone by Abraham Verghese
Twin brothers born from a secret love affair between an Indian nun and a British surgeon in Addis Ababa, Marion and Shiva Stone come of age in Ethiopia, where their love for the same woman drives them apart. (catalog summary)
MR ALBERT CAMPION
Coups neatly executed
Nothing sordid, vulgar or plebian
Deserving cases preferred
Police no object
So reads the business card of Margery Allingham’s detective/adventurer, Albert Campion.
Indianapolis, Indiana, 1932
Youngest of several sisters and one boy-genius brother, Minnie is excited to have her Texas cousin Willie Faye come live with them. Willie Faye’s parents have died, and their farm is gone with the dust storms, so this dandelion puff of a girl is going to find a place with the Swift family in Kathryn Lasky’s Christmas After All.
Young in years but not so much in worldly cares, Rose Meadows is set adrift when her wayward father abandons her permanently and her handsome, caretaking distant cousin takes up with the local Bolshevik crowd. But, in Cynthia Ozick’s historical novel Heir to the Glimmering World, Rose doesn’t give up. She takes matters into her own hands and answers an advertisement for a research assistant in a town miles away.
Jamie Ford’s Songs of Willow Frost is a story of love and perseverance set in Depression-era Seattle.
Sisters Pearl and May Chin are “Beautiful Girls”—artists’ models in 1930s Shanghai. They live in amazing times in a modern city, dancing at nightclubs, dining at expensive restaurants, buying new outfits, and having lots of admirers. Neither college-graduate Pearl nor everyone’s darling May give much thought to their futures. They think they can go on like this forever, marrying as they choose, if they choose. Unfortunately for these Shanghai Girls, they are quite mistaken.
Twelve-year-old Abilene Tucker jumped off the train in Manifest, Kansas, well before it officially stopped—and for good reason. Abeline was in a bit of a mood. She, who was used to criss-crossing the whole nation alongside of her beloved drifter dad Gideon, was being parked for an entire summer at the dustiest, driest town imaginable while he goes to work a railroad job in another state. In Moon Over Manifest, by Clare Vanderpoole, the year is 1938—about 20 summers since her Dad was here as a boy. The whole town, not just the lawns and the gardens, seems like it’s about to blow away in the June wind. What Abilene doesn’t realize is that this seemingly dead place is full of secrets and regrets just waiting to bubble to the surface.
How would George Washington behave in New York society in the 1930s? The ladies and gentlemen of post-Depression-Era New York have had to reinvent the old rules of order in Amor Towles’ Rules of Civility. The women are experimenting with new freedoms where they don’t want to figure out how to marry the man with the power and money—they want to be him.
In this story, partly a Sex in the City romp, Katey Kontent, daughter of Russian immigrants, and her friend Eve Ross, who is trying to escape her Midwestern small city blues, make a brand new start of it on New Year’s Eve 1937 in the greatest city in the world. They meet banker Tinker Grey that night. They think he is the “King of the heap/top of the list,” and he has a well-studied copy of Young George Washington’s 110 Rules of Civility & Decent Behaviour in Company and Conversation to guide him. The three form a friendship/love triangle, but Tinker’s secrets will test their loyalty. Katey and Eve are not afraid to meet their futures, but Tinker is stuck in the past.
Richard Wright’s Native Son is an exceptional example of dynamic, participatory literature. Rather than allowing the reader to effortlessly absorb the words on the page, Wright undermines the passivity and comfort we often expect when reading. Both the content of the novel and Wright’s literary style provoke and disturb, immersing the reader in a dense psychological terrain that is simultaneously intimate and larger-than-life.
Set in Chicago in the 1930s, Native Son follows the life of Bigger Thomas, a young African-American man living in squalor with his mother and siblings. Bigger’s mother holds him accountable for the welfare of the family, but his ability to work towards a stable life seems perpetually hindered. He can’t overcome his poverty because he can’t get a job that pays well, and he can’t get a decent job because of his lack of education and limited social mobility. He is also imprisoned by the sense that, as an African-American man, his mere existence has been criminalized: “There was just the old feeling, the feeling that he had had all his life: he was black and had done wrong.”