1930s -- fiction
Twelve-year-old Abilene Tucker jumped off the train in Manifest, Kansas, well before it officially stopped—and for good reason. Abeline was in a bit of a mood. She, who was used to criss-crossing the whole nation alongside of her beloved drifter dad Gideon, was being parked for an entire summer at the dustiest, driest town imaginable while he goes to work a railroad job in another state. In Moon Over Manifest, by Clare Vanderpoole, the year is 1938—about 20 summers since her Dad was here as a boy. The whole town, not just the lawns and the gardens, seems like it’s about to blow away in the June wind. What Abilene doesn’t realize is that this seemingly dead place is full of secrets and regrets just waiting to bubble to the surface.
How would George Washington behave in New York society in the 1930s? The ladies and gentlemen of post-Depression-Era New York have had to reinvent the old rules of order in Amor Towles’ Rules of Civility. The women are experimenting with new freedoms where they don’t want to figure out how to marry the man with the power and money—they want to be him.
In this story, partly a Sex in the City romp, Katey Kontent, daughter of Russian immigrants, and her friend Eve Ross, who is trying to escape her Midwestern small city blues, make a brand new start of it on New Year’s Eve 1937 in the greatest city in the world. They meet banker Tinker Grey that night. They think he is the “King of the heap/top of the list,” and he has a well-studied copy of Young George Washington’s 110 Rules of Civility & Decent Behaviour in Company and Conversation to guide him. The three form a friendship/love triangle, but Tinker’s secrets will test their loyalty. Katey and Eve are not afraid to meet their futures, but Tinker is stuck in the past.
Richard Wright’s Native Son is an exceptional example of dynamic, participatory literature. Rather than allowing the reader to effortlessly absorb the words on the page, Wright undermines the passivity and comfort we often expect when reading. Both the content of the novel and Wright’s literary style provoke and disturb, immersing the reader in a dense psychological terrain that is simultaneously intimate and larger-than-life.
Set in Chicago in the 1930s, Native Son follows the life of Bigger Thomas, a young African-American man living in squalor with his mother and siblings. Bigger’s mother holds him accountable for the welfare of the family, but his ability to work towards a stable life seems perpetually hindered. He can’t overcome his poverty because he can’t get a job that pays well, and he can’t get a decent job because of his lack of education and limited social mobility. He is also imprisoned by the sense that, as an African-American man, his mere existence has been criminalized: “There was just the old feeling, the feeling that he had had all his life: he was black and had done wrong.”
Wilbur Munro Leaf is best known for his beloved book, The Story of Ferdinand. It’s the tale of a peaceful yet rebellious bull that would rather enjoy the flowers in his meadow than fight in an arena. Munro Leaf and his friend, award-winning artist and writer Robert Lawson, had been talking about the kind of book they would want to write if they could get past the publisher’s ideas of what made a good book. It took him less than an hour—“25 minutes on a rainy Saturday”--to scribble down the story on a yellow pad of paper. With Lawson’s illustrations, the beatific bull was on his way to becoming internationally famous for his peaceful message in 1936--a time when the world was coming apart in war.
One of the sub-genres that defined classic American crime and detective movies was film noir, a style that was pervasive in detective films of the 1940s and 1950s. Film noir arose during the post-World War II period in the United States as a generation that fought in one of the most brutal conflicts the world had ever seen returned home to a changed America where jobs were scarce and the national mood seemed darker and more cynical than during the war itself.
Do you know Karen Hesse? Her books can take you on a voyage of discovery with Captain Cook, into the Dust Bowl of the 1930s, or turn-of-the-century Russia. A sense of place has always been important to this author. She grew up very quietly in a row house and later an apartment in Baltimore, Maryland. When she wanted a place to be by herself, she had to get creative. Outside, there was an apple tree where she could sit for hours, reading and dreaming. Nearby was the Enoch Pratt Free Library, where she started with Dr. Seuss and kept on going, from picture books to chapter books to novels.