1940s -- fiction
MR ALBERT CAMPION
Coups neatly executed
Nothing sordid, vulgar or plebian
Deserving cases preferred
Police no object
So reads the business card of Margery Allingham’s detective/adventurer, Albert Campion.
Faith Ringgold is an artist who uses different materials to tell the stories that are important to her family and her people. Whether working with quilting squares, African masks, paint and brush, or her own words, Faith gives the rich colors and textures a life of their own. There's motion in her work, a striving upward and pushing at the edges of her world.
In When the Emperor Was Divine, Julie Otsuka uses a sparse, lyrical writing style to illuminate the psychological effects of one of the most shameful episodes in U.S. history. The novel opens with a portrait of an ordinary woman going about her daily chores in Berkeley, California. While en route to her local library, she sees something troubling: Evacuation Order No. 19. After reading the notice, she abandons her errands and begins preparing for life in an unfamiliar locale.
At first, the sequence of events feels dystopian or apocalyptic – the world is ending and a family is forced to prepare to face the unknown. But this narrative is a dramatization of history, not a speculative tale of the future. After the attack on Pearl Harbor, the U.S. government began to suspect that American citizens of Japanese ancestry might harbor allegiance to Japan. In 1942, these paranoid fantasies lead to the forcible internment of Japanese-Americans announced in Evacuation Order No. 19.
Carlos Ruiz Zafón completely understands what it means to be seduced by a book--to get lost in a plot and feel overwhelmed by perfectly-formed words and phrases. Perhaps that is what allows him to describe--and replicate--that experience in his own novel, The Shadow of the Wind.
The Shadow of the Wind opens in Barcelona in 1945. Daniel Sempere’s father is about to introduce him to a mysterious and labyrinthine place called the Cemetery of Forgotten Books. In the Cemetery, the young boy is taught some very important things about the lives of books: “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.”
Rupert Holmes’ Swing has more than a touch of noir—and its own soundtrack. Set in San Francisco in 1940, vagabond jazz musician Ray Sherwood has been made a very interesting proposition. A beautiful, young Berkley music student wants him in a most peculiar way. She’s won an international contest for composers, and her piece needs to premiere at the Golden Gate Exposition in just a few weeks. What she needs from Ray are his talents to orchestrate her music for many instruments. Ray is enchanted by Gail’s breezy joie de vivre and her snappy patter even as his own troubled past makes him hesitate. But the tenor veers from sweet romance to dangerous liaison when a lovely woman plunges to her death mere feet from the happy couple, changing this composition’s theme from serenade to police siren.