Integration -- fiction
When people hear the name Ann M. Martin, they naturally think of her wildly popular Baby-sitters Club series. What was supposed to be just a four-book set turned into a 130-book saga, not counting the 120-book series for younger readers, Baby-sitters' Club Little Sisters and other spin-offs. In recent years, she's added other series about children and teens experiencing challenging times, but she will always be known for The Baby-Sitters Club books, several of which are now graphic novels.
Why did these books about four very different middle-school friends take off on the bestseller lists? The secret must lie with Ann's gift for remembering her feelings throughout childhood and young adulthood. She was a babysitter herself, and a lot of the things that she writes happened to the babysitters on the job happened to her or her friends. She also remembers what it feels like to lose a parent, have an annoying little sister, and deal with family secrets.
Elaine Lobl Konigsburg has always loved reading. As a girl, she discovered the magic of The Secret Garden and learned about life in a middle-class English family from Mary Poppins. These stories became part of her childhood, and, as she relates in her excellent book of essays, TalkTalk: A Children's Author Speaks to Grown-ups, classic stories become a bridge between today's children and earlier generations.
What she was looking for as a child and did not find, was a reflection of her life in a Pennsylvania mill town. In classic books, the mothers were just that. The women in Elaine's neighborhood worked as maids for extra money. In classic tales, there were maids, but they were always on the sidelines, and the classroom rolls were filled with Smith's, Jones', Edwards', and the like. Where were the Ravinsky's, Machotka's, and Spinelli's?