Twelve-year-old Abilene Tucker jumped off the train in Manifest, Kansas, well before it officially stopped—and for good reason. Abeline was in a bit of a mood. She, who was used to criss-crossing the whole nation alongside of her beloved drifter dad Gideon, was being parked for an entire summer at the dustiest, driest town imaginable while he goes to work a railroad job in another state. In Moon Over Manifest, by Clare Vanderpoole, the year is 1938—about 20 summers since her Dad was here as a boy. The whole town, not just the lawns and the gardens, seems like it’s about to blow away in the June wind. What Abilene doesn’t realize is that this seemingly dead place is full of secrets and regrets just waiting to bubble to the surface.
Faith Ringgold is an artist who uses different materials to tell the stories that are important to her family and her people. Whether working with quilting squares, African masks, paint and brush, or her own words, Faith gives the rich colors and textures a life of their own. There's motion in her work, a striving upward and pushing at the edges of her world.
“My name is Blaise Fortune, and I am a citizen of the French Republic. It’s the pure and simple truth.”
Koumail knows this phrase in French very well. It is vitally important that he remember it for he and Gloria, the woman who has looked after him since he was a baby, are refugees, and someday this phrase and an old passport may be his ticket to a better life away from war, starvation and danger. A Time of Miracles, by Anne-Laure Bondoux, is set in the 1990s, as war rages in the Caucasus region, and the Soviet Union has collapsed, leaving masses of people without shelter or food.
Storms batter the Outer Banks of North Carolina. Always have. Always will. Ships break up in those dangerous seas. Sometimes there are survivors but oftentimes not. It’s 1898, and waiting and watching are the surfmen—the rescuers of the Lifesaving Service—who take out boats in horrible weather and try to save whom they can. In Teetoncey, by Theodore Taylor, twelve-year-old Ben O’Neal is determined to become a surfman, leaving his mother’s storm-swaying house on a terrible night to go help at the Rescue Station. He’s seen the flare, and he knows—there’s a ship in trouble.
Promising young archaeologist Verity Grey ventured to the wilds of Scotland for a job interview little knowing that she was leaving behind her secure London flat for encounters with ghostly visions and the threat of madness in Susanna Kearsley’s Shadowy Horses.
"The game's afoot!"
Eleven of the Great Detective's finest cases are brought together in Sir Arthur Conan Doyle's The Memoirs of Sherlock Holmes. From his Baker Street digs, a bored Sherlock sorts through newspapers, puffs on his pipe, and makes tea with his less-than-scrubbed chemistry set until the next puzzle presents itself. His chronicler Watson passes on the questionable tea but is only too happy to take a little time away from his doctor's practice to assist his old friend on adventure after adventure.
Getting lost in a cornfield maze is an October tradition for many families. Aside from tall fields of corn, mazes can be made with stone walls, hedges, mirrors, and more. Finding your way out of the puzzle can be a heck of a good time, and mazes have a lot of history behind them, too.
In Beastly, by Alexandra Flinn, Kyle Kingsbury is the kind of guy who has it all--looks, money, and charm. At his exclusive NYC prep school, of course he's going to be voted homecoming prince. It's a joke that anybody else even has his name on the ballot. Speaking of jokes, there's some new, chubby girl dressed in Goth black who's spent a lot of the morning glaring at him. She even called him beastly. How dare she?
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Dreamer, Inspired by a True Story, is one of those uplifting horse films that is good for the whole family. It features a stellar cast. Ben Crane (Kurt Russell) is the dad who barely makes a living training other people’s--rich people’s--horses. Kris Kristofferson plays his father, a gruff man who lost almost all the family’s land along with their money and their stock during his hard times as a racehorse owner. Father and son are shy with each other, bitter, and stubborn. The lightness comes from young Cale Crane (Dakota Fanning) who, without being cloyingly sweet, wants to follow in her family’s footsteps, much against her father’s wishes.