The best craft store may be right outside your door. This summer, take time in the cool mornings to gather together pieces of nature to work into craft projects in the afternoons. That way you’ll have a remembrance of summer to keep all year long. Rocks can become patterned pictures. Leaves can make delicate prints. Everything in nature can inspire your arts and crafts.
Rocks come in all shapes and sizes, but what kind are they? You can’t ask them, but sometimes, if you know how to listen, they’ll tell you anyway.
The shape and size of a rock doesn’t tell you much about what it’s made of.
Big rocks break into smaller rocks all the time. But there are other things to look for that can give you their I.D.
What's wrong with this story:
A father tells the authorities his daughter can do impossible things AND the authorities believe him.
A soon-to-be bride promises to give her future baby away to a TROLL.
Said bride agrees to marry the man who's threatened to kill her if she can't keep doing the impossible.
What would a troll do with a baby anyhow, and why would he give her all that spun gold for a tiny ring?
Why doesn't the heroine do ANYTHING to get herself out of this predicament?!
This old fairy tale is such a ridiculous story that the author wanted to fix it. So Vivian Vande Velde set out to do so six different ways in The Rumpelstiltskin Problem. The characters never come out the same in these retellings. The troll in "A Fairy Tale in Bad Taste" has gruesome appetites. "Straw Into Gold" has our beauty and her father resorting to an elaborate con game to keep from starving to death in the days before Social Security or insurance.
Rosemary Wells is one of our best-loved writers and illustrators for very young people. Her “Max and Ruby” books capture the relationship between a bossy big sister and her inquisitive (and stubborn!) little brother. That they happen to look rather a lot like rabbits makes no difference to the stories. Rosemary Wells’ wry humor turns these brief books into rather perfect treasures for the preschool set.
He was happy enough to share his dinner with the lanky man as they were both seekers. He sought the beauty of the Wisconsin countryside in the early autumn. The fellow who sat down beside him, his wool shirt buttoned tight though the day was a warm one, sought the relief of his misery in the beginning of The Illustrated Man, a collection of short stories by Ray Bradbury.
At last he stripped off his shirt in the heat.
"…he was a riot of rockets and fountains and people, in such intricate detail and color that you could hear the voices murmuring small and muted, from the crowds that inhabited his body. When his flesh twitched, the tiny mouths flickered, the tiny green-and-gold eyes winked and the tiny hands gestured. There were yellow meadows and blue rivers and mountains and stars and suns and planets spread in a Milky Way across his chest. The people themselves were in twenty or more odd groups upon his arms, shoulders, back, sides, and wrists, as well as on the flat of his stomach. You found them in forests of hair, lurking among a constellation of freckles, or peering from armpit caverns, diamond eyes aglitter. Each seemed intent upon his own activity; each was a separate gallery portrait."
He was an Illustrated Man, he explained tiredly. A witch from the past and future had stitched the glowing colors into his flesh forty years ago. He had wanted it done so he could always find a job at a carnival, but the pictures, all eighteen of them, came with a curse, and ultimately no traveling show would hire him and no man or woman would be his friend.
What Lyra enjoyed most was scrambling across the rooftops of Oxford, committed to the serious fun of war that raged amongst the children of all the colleges and the townies in between. There were pummelings with armfuls of rock-hard plums, mud fights, and even the occasional kidnapping. Yet for all of her wild behavior, Lyra was not an ordinary child. She was a lonely, genius child with aristocratic blood in her veins, and every so often some unfortunate young Scholar would be dispatched by the Master of the College to round her up for a hot bath and tedious lessons at the start of The Golden Compass, by Philip Pullman.
"Irish businessman will pay large amount of U.S. dollars to meet a fairy, sprite, leprechaun, or pixie."
The ad was posted on the Internet. Indeed, it generated numerous fraudulent responses, but the person who placed it only needed one true lead for his purposes. He had studied all he could in the mundane world he inhabited, but he knew the important secrets of the Fairy would only be known by others of their kind in Artemis Fowl, by Eoin Colfer.
After a wild goose chase in Cairo, at last the trail led to Ho Chi Minh City. Artemis Fowl the Second, latest in a thousand-year-old line of criminal masterminds, sweltered in the heat of a Vietnamese summer, carefully noting every detail of the passersby as he waited to make contact with his source. He was accompanied by his devoted servant, Butler, who served as confidante as well as being an amazingly lethal bodyguard.
When Mercer Mayer was a young artist looking for book illustration work, a potential employer suggested he give up and throw away his portfolio. Fortunately for the thousands of children who have enjoyed his many books, he did not give up. Indeed, he went on to create one of the first widely-published wordless books for children, A Boy, A Frog, and a Dog. That book and its successors were hugely popular.
Soon after that, Mayer tackled one of the biggest problems facing young children—how to cope with fears of the unknown. Rather than write pedantic, matter-of-fact, non-fiction children’s books, he turned the process of dealing with those fears into engaging stories from a child’s point of view: There’s a Nightmare in My Closet; There’s an Alligator under My Bed; and There’s Something in My Attic.
Totally disgraced after her expulsion from school, Karigan trudged homeward through the countryside in Green Rider by Kristen Britain. It wasn't an easy walk, more of a cross-country hike, really, but her shame and rage kept her moving even as she spent an aching night sleeping in a meadow and washed down some hunks of cheese and bread with less than clean brook water.
Suddenly from out of the dark woods, there came an explosion of red and green.
In the year 2194, there are three Zimbabwes. There is the Zimbabwe of the rich such as the luxurious compound of General Amadeus Matsika, the country's Chief of Security. His children, Tendai, Rita, and Kuda want for nothing. The robots take care of all their needs, and the Mellower, the house poet, makes everyone feel so much better when he sings their Praises in The Ear, the Eye, and the Arm by Nancy Farmer.
In another part of the city dwells the woman who is called the She-Elephant. She has her own compound, her own kingdom, in the abandoned waste dump. She has her servants, too. Fist and Knife are good for running errands-- a little thieving here, a little kidnapping there... When they find Matsika's children by themselves in downtown Harare, the opportunity for profit is just too good to let go.