Once, luck was as free to be had in Ireland as sunlight, and just as plentiful. It filled the air, and anyone could grab a handful of it as the need arose. This was largely due to the leprechauns, for they made luck like cows made milk.
Just in time for Saint Patrick’s Day—and Irish-American Heritage Month—comes Fiona’s Luck, a delightful picture book that lyrically tells the story of how the extra luck came into Ireland with the leprechauns and was lost again from us “big folk” when the leprechaun king decided to hoard it all away in his castle.
“Any memorable children’s book will possess drama, vitality, vividness, possibly wit and humor, and its own dignity—that is, a deep respect for the child’s quick and devastating perceptions. As for the story itself, it will convey a sense of complete inevitability, a feeling of rightness throughout the whole structure. This can only be attained by the writer’s evoking the true aura of childhood through re-experiencing that emotional state he lived in as a child, a state composed of delight in the simplest, most secret, sometimes the oddest things, of sadnesses and fears and terrors one could not or would not explain, of a continuing wonder about much that seems drab and familiar to adults”
--Eleanor Cameron writing in The Green and Burning Tree: On the Writing and Enjoyment of Children’s Books, pg. 14
Eleanor Cameron was capable of doing all these things, whether writing science fiction, fantasy or more everyday stories. She was a celebrated children’s writer of the 1960s and 1970s and was known for her lyrical style and the honesty with which she told her tales. A mature reader of That Julia Redfern, featuring an aspiring young writer living in the 1910s Berkley, can easily find grown-up themes that are layered into the story and come to fruition in books about an older Julia, such as A Room Made of Windows.
Wild Horses of the World, written by Moira C. Harris and with photographs by Bob Langrish, is a beautiful coffee table book that looks at dozens of types of wild horses around the world. Though all but one example, the Przewalski horse from Mongolia, are really more feral than truly wild, these horses have been roaming free for so many centuries and sometimes millennia that they have established their own identities, which are often interlinked with the history and culture surrounding them. Whether abandoned by explorers or left to freely roam by farmers until needed, the newly-wild horses quickly adapted to the natural herd behavioral patterns that protected them. Without human interference, only the hardiest of the lot could survive.
Virginia's many rivers were strategic points in the Civil War. Thousands of men had to cross them at a time, whether by boat or pontoon bridge, or, in shallower places, on foot. Major rivers slowed down--or, in the case of flood, could block movement entirely. Generals placed their supply depots on rivers, and gunboats patrolled the waters, blasting artillery positions as well as enemy strongholds in large plantation houses.
In Mark Nesbitt's Rebel Rivers, readers are treated to an easy-to-follow guide to river sites and their Civil War history. Rebel Rivers, published by Stackpole Books, is available to check out from the library. The author is also the creator of the Ghosts of Gettysburg Candlelight Walking Tours® and the Ghosts of Fredericksburg Tours.
This excerpt is used with the author/copyright holder's permission.
The American Revolution didn’t start with the Tea Party.
For more than 100 years before that, the immigrants who came to America had very cogent reasons for leaving the civilized world. Many were hotheads—rebels against the king and his policies on religion. Others had come to the colonies hoping to make their fortunes and discovered much to their dismay that the king was very interested in taking a cut of their profits through high taxes, particularly on tobacco.
In Virginia, high taxes meant that the small farmers were left landless when they could not pay. Their farms were taken by wealthier landholders and the dispossessed went to the frontier to find new land to support them and their families. Not surprisingly, this meant clashes with the native population, some of which were quite bloody. Royal Governor Berkeley’s refusal to support the frontier farmers with soldiers—and his obvious friendships with the wealthier Tidewater land barons--led to Bacon’s Rebellion against the king’s most powerful representative and was but one example of the tension felt between the colonists and their royal masters’ representatives.
If you don’t live in Vermont, the name Ethan Allen may just be a furniture brand to you. But the life of this key figure in the American Revolution embodied a lot of the conflict between the colonists and their English overlords. From relatively humble beginnings, the Allen family became involved in trade and land ownership. The problem was, wildly rich speculators from New York had in mind to keep New Hampshire land under the tenant farm system whilst the struggling farmers wanted to be able to own their land outright.
Settlers started moving west as soon as the land by the eastern rivers was claimed. Wanting the right to expand into more territory was one of the factors in the American Revolution, including anger at the Proclamation of 1763 that restricted further settlement. Indeed, many veterans of the Revolution received land grants in the west for their service. In the late 1700s to the early 1800s, the West could mean Ohio, Kentucky, Tennessee, and parts of Pennsylvania. As those places filled up, too, and immigrants kept on coming, they eventually spread across the plains and into the heartland.
Picture book writer and illustrator Uri Shulevitz came into a world on the brink of a devastating war. The son of son of Abraham and Szandla (Hermanstat) Shulevitz, Uri (pronounced oo-ree), he was only four years old when German bombs falling on Warsaw drove his Jewish family out of the city and into an eight-year period of travel in exile throughout Europe before finally settling in Paris in 1947, when Uri was twelve years old.
Every year the American Library Association gives awards for the best new books for children and young adults. Probably the oldest and most famous of these prizes are the Randolph Caldecott Medal, given for illustration, and the John Newbery Medal, given for children’s literature. This year, life stories and family stories feature prominently in the prizes.
The 2012 Newbery Award-winning young adult novel, Dead End in Norvelt, is set in the 1960s. Norvelt, Pennsylvania—named for EleaNOR RooseVELT--was created by the federal government in the 1930s as a place for laid-off coal miners to live. By 1962, Norvelt has become the author’s small-town hometown…a place for spending his 12th summer getting into trouble in all kinds of interesting and often funny ways. Jack Gantos has written something here that blends fiction with autobiography for a really entertaining and memorable read.
It's the first thing you see when you get up in the morning and the last thing you see when you go to bed at night. It should be a space that really expresses you, not just a collection of random backpack kibble.
With the right paint color, some interesting fabric, cool posters, and one or two fun yet functional light fixtures, you can create a room that's perfect for your daydreaming self and may even make homework time a little easier to take.
To get started, think about what you need to make your room work for you. You may think a calendar and a desk are pretty dorky, but you have to have some place to put your work stuff, yes? And your room is a MUCH better place to get down to school business than the dining room table or the den. So figure out where you're going to put the hafta's and then feel free to play with the rest. After all, Mom and Dad are going to be much sweeter about springing for a few decorating extras if the purpose is to improve your studies. ; )