When Mercer Mayer was a young artist looking for book illustration work, a potential employer suggested he give up and throw away his portfolio. Fortunately for the thousands of children who have enjoyed his many books, he did not give up. Indeed, he went on to create one of the first widely-published wordless books for children, A Boy, A Frog, and a Dog. That book and its successors were hugely popular.
Soon after that, Mayer tackled one of the biggest problems facing young children—how to cope with fears of the unknown. Rather than write pedantic, matter-of-fact, non-fiction children’s books, he turned the process of dealing with those fears into engaging stories from a child’s point of view: There’s a Nightmare in My Closet; There’s an Alligator under My Bed; and There’s Something in My Attic.
Totally disgraced after her expulsion from school, Karigan trudged homeward through the countryside in Green Rider by Kristen Britain. It wasn't an easy walk, more of a cross-country hike, really, but her shame and rage kept her moving even as she spent an aching night sleeping in a meadow and washed down some hunks of cheese and bread with less than clean brook water.
Suddenly from out of the dark woods, there came an explosion of red and green.
In the year 2194, there are three Zimbabwes. There is the Zimbabwe of the rich such as the luxurious compound of General Amadeus Matsika, the country's Chief of Security. His children, Tendai, Rita, and Kuda want for nothing. The robots take care of all their needs, and the Mellower, the house poet, makes everyone feel so much better when he sings their Praises in The Ear, the Eye, and the Arm by Nancy Farmer.
In another part of the city dwells the woman who is called the She-Elephant. She has her own compound, her own kingdom, in the abandoned waste dump. She has her servants, too. Fist and Knife are good for running errands-- a little thieving here, a little kidnapping there... When they find Matsika's children by themselves in downtown Harare, the opportunity for profit is just too good to let go.
The Central Rappahannock Regional Library will host Civil War 150, a national traveling exhibition, on display at the library headquarters, 1201 Caroline Street, Fredericksburg, from Tuesday, November 27 to Sunday, December 16.
The library is inviting the public to an opening reception, Friday, November 30, at 5:30. National Park Service Chief Historian John Hennessy will briefly address the themes of the exhibit.
As part of the area’s ongoing commemoration of the war’s sesquicentennial, the library invites the community to view this major exhibit that explores “the war and its meaning through the words of those who lived it," to experience the battle through the eyes of major political figures, soldiers, families, and freedmen. Through reproductions of documents, photographs, and posters, the exhibition invites visitors to learn about events that took place during the war. By virtue of letters, personal accounts, and images, learn how people grappled with the end of slavery, the nature of democracy and citizenship, the human toll of civil war, and the role of a president in wartime.
Howl's Moving Castle, by Diana Wynne Jones, starts off with a young girl trying to keep life interesting at her a dead-end job at the hat shop. So Sophie talked to the hats. No, they didn't answer her, but she talked to them just the same. "You have a heart of gold and someone in a high position will see it and fall in love you," she told one. Soon enough a plain-looking lass bought the plain bonnet and sailed off with the heart of the Count of Catterack.
Children’s author and illustrator Margot Zemach was born into a show business family--her father was a theater director, and her mother was an actress. Growing up, she drew imaginatively costumed characters to retell her favorite fairy stories and folktales, something she continued to do as an adult that would lead her to worldwide fame.
As she wrote in her autobiography, Self-Portrait: Margot Zemach: "I can create my own theater and be in charge of everything. When there is a story I want to tell in pictures, I find my actors, build the sets, design the costumes and light the stage. . . . If I can get it all together and moving, it will come to life. The actors will work with each other, and the dancers will hear the music and dance. When the book closes, the curtain comes down."
The English Monster, by Lloyd Shepherd, blends two stories of horror—one short, sharp, and bloody while the other is a slow unraveling of a man’s conscience.
October, 1564: A handsome young man, just married and very much in love, travels a dangerous path to the port of Plymouth, England, where he hopes to find a berth on a ship bound for adventure, but more importantly, riches to make their new life together secure. It is try and succeed or fail and never return for William Ablass. His letter of introduction earns him a place on board Captain Hawkins’ vessel where he becomes shipmates and friends with Francis Drake, later “El Draco,” the terror of the Spanish fleet. Their adventures succeed in turning a golden profit but at a very dark cost.
The year is 1912, and the Torrington family is caught on the cusp between a graceful if dying and class-conscious era and the fast-paced, more egalitarian and sometimes brutishness of the coming modern world. And for all that it is Emerald Torrington’s birthday on her family’s grand English estate, she was finding it terribly soothing that morning to pull uselessly at weeds and try to not cry, grown-up and beautiful young woman as she was. There would be a party in the evening—chocolate cake with green spun-sugar roses in her honor—and it would be the carefully-planned, best effort her lovely mother and their devoted housekeeper could put together, for all that her world—and everyone’s—seems to be ending. And then The Uninvited Guests show up.
There’s a new author working in the library. Elanor Kindred, who can be found in the circulation department at our England Run branch, has been writing fantasy stories since she was a child growing up in Stafford County. Through the years, the stories have become longer and more refined until they have emerged as books, two of which--The Immortal and Bound by Blood--are now published. Written for a young adult audience, they are set in parallel worlds both magical and not. The Immortal finds Lask Somadar, leader of an enchanted realm, pursuing a villainous beast into a land ill-prepared to deal with the griffin or his army.
“I have always thought my best stuff was in my sketchbooks. I have hundreds and hundreds of sketchbooks. I like to work at night, I suppose because that’s when my defenses are sort of low. I have my most creative ideas at night. I’m less inhibited, and I really let it rip.”
From: Ways of Telling: Conversations on the Art of the Picture Book, edited by Leonard S. Marcus. p. 96; pp. 82-106 are on James Marshall
Throughout the 1970s and 1980s, James Marshall’s whimsical drawings added humor to dozens of children’s picture books. While many were made for other writers’ works, including classics such as Mother Goose, Edward Lear, and Ogden Nash, he was also a talented writer on his own. Indeed, he became one of the most popular and prolific illustrators in children’s publishing. In high school, however, he wasn’t so much about the art--though he did doodle, as he called it--as about the music which he saw as a way to get a scholarship to college far away from swampy Texas town where his family lived.