Beginning-to-be-eleven-year-old Portia and her little brother Foster are excited to be visiting their relatives in the countryside for the summer in Elizabeth Enright’s Gone-Away Lake. Besides seeing their favorite aunt and uncle, there is Katy the boxer dog who has just had a litter of puppies “with flat faces like pansies, and ears that felt like pieces of silk, and claws like the tips of knitting needles”—but best of all for Portia is having time to hang out with her cousin Julian, he of the hundred-thousand freckles. Closer than a friend and nicer than a brother is how she thinks of him. Julian is interesting and interested in everything that goes on around him.
When one thinks of heirs and heiresses, one thinks of bags and bags of money. But in T. H. White’s Mistress Masham’s Repose, ten-year-old Maria has no money. She is only the heiress to a falling down 17th-century English estate called Malplaquet. Even so, she might have enjoyed a lovely if quiet life in the countryside. But she doesn’t.
He was trouble, into everything at once, with an imagination that just wouldn't quit. Neither his teachers nor his parents knew quite what to do with him. But when he opened his mouth the most beautiful sounds came out. Young Jack Prelutsky had a glorious voice, so good they called him a prodigy, and the New York Metropolitan Opera's choirmaster gave him free lessons. But he gave up his dream of being the world's best opera singer when he heard Luciano Pavarotti perform. He knew he couldn't match that amazing voice, and he did know for certain that whatever he did in his life, he wanted to be the very best at it.
“New folks coming!”
That’s the important news that the young rabbit, Little Georgie, has to share with all of his neighbors, from the stately deer to the excitable field mouse on Rabbit Hill. Will they be good providers or “slatternly” like the last batch? Most everyone hopes for a garden, but Phewie, the skunk, is hoping for some quality “garbidge.” All of the residents of Robert Lawson’s Rabbit Hill have an opinion and a hope about what will come.
So many things could go wrong if the new folks that come aren’t nice. There might be vicious dogs. They might bring traps. They might even cut down and plow up the thicket where the burrow lies. Mother Rabbit is beside herself with worry, but Little Georgie and the rest are mostly just excited.
1901, Ontario, Canada
Riding the train to a small farming community, young Mable and her older—and rather bossily annoying—sister Viola are about to embark on an autumn of possibilities, although certainly everything seems dull as dishwater on the surface. Goodhand Farm, where they will be rooming, seems the same as countless other family dairy farms, and the one-room school where 19-year-old Viola will be teaching seems much like countless others across territory. But there are some very important details in Marthe Jocelyn’s book, Mabel Riley, that change the dull into the brilliant to illuminate the friction of a swiftly changing world.
“A haunt in the wind”
That’s how Al Hoots described the small, thin filly named U-See-It who happily crunched his peppermints in the saddling shed before her big race. Al picked up such talk from his wife, Rosa, of the Osage tribe. In the newly-minted state of Oklahoma, the spring weather of 1909 saw most everybody who lived near the Chisholm Trail come out to watch the match race between little U-See-It and a big-striding mare from Missouri named Belle Thompson. Soon enough Al Hoots had traded 80 acres of land for the little filly, and she began winning races for him. That’s just the beginning of the story Black Gold, by Marguerite Henry.
Great stars above!
From our place beneath the heavens, the stars seem to be tiny pinpoints of light. People have seen patterns in the stars for thousands of years. In the storytellers' imaginations, warriors and princesses, flying horses and laughing coyotes all found their way to the stars. Some soothsayers still tell fortunes based on the mysteries of astrology, or the alignment of the planets.
Astronomers know that the real mysteries of space are much greater than the accidental alignments of the stars. Stars, in all their blazing glories of red, blue, green, yellow, and more, are pulsing and moving, swirling around in their galaxies which, in turn, move around the Universe. The stars themselves may be ages old, but we continue to learn more about them all the time. Recently, scientists discovered ten new planets--one of which is orbiting a very young star.
Near Manchester, England, in 1836, Emmeline Roke finished a piece of golden embroidery on a blue silk gown. It wasn’t her gown. Had she enough money for such a dress, she would have used it to buy better food and other small comforts for her family. At fifteen, her sewing work was an important source of income for them. Everyone in her family worked—her beautiful, willful, widowed mother in the fabric mill whilst her beloved little brother, deaf-mute since nearly his birth, also did piece work. Life in the all-too-real world of Linda Holeman’s Search of the Moon King’s Daughter is hard for the Roke family, and it’s about to get harder.
Emmeline remembers that it wasn’t always this way. Not too long ago, they lived in a small cottage attached to the village grocery shop. Her father Jasper Roke may have been destined for greater things, but he gave it up when he met Emmeline’s mother, Catherine. He took the job running the shop, which came with the cottage. If he was a bit lazy and closed down for the afternoon when he felt like taking them all out for a picnic and reading poetry and fairy stories to his family, it was no matter to him. But when he died suddenly, everything came apart. The little family had to move to another town—a mill town—where there was work to be had. It was a hard life, but it was doable—until the day Catherine Roke was hideously injured at her loom.
Multiple-choice standards of learning tests are not concerned with the details that fill out American history. Who wants to know that those who disagreed with the Revolutionary patriots risked their lives and fortunes in a time of mob rule? What state examiner wants to hear tales of men of honor who refused to break their oaths of loyalty to the king and were whipped, tarred and feathered, or "smoked out" of their homes, as happened to 65-year-old Israel Williams, a respected Loyalist legislator, whose signature in support of the rebel cause was only gained after a night of gasping for air inside his smoky home? In Thomas B. Allen's Tories, many of these stories from across the colonies are well-preserved and well-told so that they might be well-remembered.
"I think of writing--particularly of writing picture books--as a kind of choreography. A picture book must have pace and movement and pattern. Pictures and text should, together, create the pattern, rather than simply run parallel." -- Beatrice Schenk de Regniers*
Born: in Lafayette, Indiana, on August 16, 1914
Favorite writing genres: picture books, folk tales, poetry, and plays
Well-known books: May I Bring a Friend?; What Can You Do with a Shoe?; Everyone Is Good for Something; David and Goliath; It Does Not Say Meow, and Other Animal Rhymes; Little Sister and the Month Brothers
Her last name is pronounced, “drain-yay”
Education: Attended University of Illinois, 1931-33; University of Chicago, Ph.B., 1935, graduate study, 1936-37; Winnetka Graduate Teachers College, M.Ed., 1941.
Career: Member of the Eloise Moore Dance Group, Chicago, 1942-43; copywriter, Scott Foresman, publishers, Chicago, 1943-44; welfare officer, UNRRA, Egypt, 1944-46; copywriter, American Book Company, New York, 1948-49; director of educational materials, American Heart Association, New York, 1949-61; editor, Lucky Book Club, Scholastic Book Services, New York, 1961-81.
Awards: May Children's Spring Book Festival honor book, New York Herald Tribune, 1958, for Cats Cats Cats Cats Cats; Boys' Clubs Junior Book Award, 1960, for The Snow Party; Indiana Authors Day Award, honorable mention, 1961, for The Shadow Book; Caldecott Award, 1965, for May I Bring a Friend? ‘s illustrations by Beni Montresor; certificate of excellence, American Institute of Graphic Arts, for communicating with children; Brooklyn Art Books for Children citation, 1973, for Red Riding Hood: Retold in Verse for Boys and Girls to Read Themselves.
Memberships: Authors Guild, Authors League of America, Dramatists Guild, PEN, Society of Children's Book Writers.
Died: March 1, 2000, from a stroke at her home in Washington, D.C.