Marcia Sewall's name can be found on the covers of tons of classic fiction and folktales in the library. She has a simple drawing style that conveys the rhythm and characters of the stories without overwhelming them. Whether the subject is a family issue such as the death of a loved one (Saying Good-bye to Grandma by Jane Resh Thomas) or something more light-hearted (The Leprechaun's Story by Richard Kennedy), Marcia's drawings give the books a simple clarity.
Julius Lester came of age during the fight for civil rights for black Americans. In 1960, he graduated from Fiske College and became involved with the Student Non-Violent Coordinating Committee which organized student protests in communities across the nation.
Beverly thought she had the greatest life. Things were exciting on the family farm for a little girl, and her mom and dad were working too hard to keep their dark-haired daughter from having fun. On glorious days filled with sunshine, she helped bring the lazy cows in from the pasture, picked armfuls of wild flowers, and learned the names of the trees and the birds from her father as they rode in the wagon across the field to gather firewood.
Odell Scott (Scott O'Dell) grew up in a California that was still wild and natural. No freeways, no asphalt, no hundred-story buildings. People got around by walking, taking a trolley or train, or riding horseback. His family lived in a house on stilts that was so much a part of the landscape that the waves at high tide splashed against its supports. He loved the outdoors and decided to become a writer as a youngster after he learned that he was related to the classic British historical novelist and poet, Sir Walter Scott.
Moira has the perfect birthday planned. "I want to invite grade 1, grade 2, grade 3, grade 4, grade 5, grade 6, aaaaand kindergarten." Mom says no, so Moira asks her dad.
Dad says no, but somehow everybody in every grade "...aaaaand kindergarten" shows up for the party. The house is full, and the kids are hungry, but luckily Moira knows what to do to save the day.
Andrea Davis Pinkney's (September 25, 1963 -- ) books are full of the rhythms of the African-American community. Stroll down memory lane with Scat Cat Monroe as he follows the rise of Ella Fitzgerald from the small-town girl who liked to sing and dance on street corners to wowing the crowd at the Apollo Theatre when she was only seventeen, dressed in work boots and hand-me-downs.
Elizabeth Fitzgerald was born December 28, 1927 in Baltimore. Her family was filled with successful, professional people who formed a loving and uplifting environment for Elizabeth. She had a great childhood filled with wonderful memories of taking The Train to Lulu's with only her sister for company to see her relatives further south.
His dad was "an airy optimist with nimble skills." His mom was a crackerjack card player. Both came from old Europe with the great wave of Jewish immigrants in the early part of the 20th century, and both were jim-dandy storytellers.
Sid helped his parents at their neighborhood store in San Diego, California. This was during the Great Depression when no one had much money, but he found that for just a dime he could hang out all day at the traveling vaudeville show. There he met his first magician, a lady sharpshooter, and other amazing performers whose memories would one day be conjured for the Wild West boy-and-his-dog story, Jim Ugly.
Gary Soto came from a hard background by anyone's reckoning. His young father died in an industrial accident when Gary was only five years old. His Mexican-American family was struggling and lived in a tough neighborhood--next to a junkyard and across from a pickle factory. All through school, he and his family worked at whatever jobs they could get, including picking fruits as migrant laborers.
Eleanor Ruth Rosenfeld (Estes) loved to tell stories to children. She began by working as a children's assistant in her hometown library, but when she became sick with tuberculosis, she spent the quiet days of her recovery writing down her childhood memories as a series of stories for young readers.
In The Moffats, a terrific family, growing up during tough times in Cranbury, Connecticut in the 1910s, face calamity when the landlord puts a "For Sale" sign on their beloved yellow house. Janey's widowed mother works as a seamstress every day to put food on the table, coal in the grate, and clothes on their backs, but there isn't enough money left to buy a home. Week after week, month after month, the kids--fifteen-year-old Sylvie, twelve-year-old Joey, nine-year-old Janey, and five-year-old Rufus--expect the worst: that someone will buy their house, and then what will happen?