Charlotte Ellison lives a outwardly beatific and genuinely boring existence at her home in the London suburbs. To her mind, her most vexing problems are her father’s refusal to allow her to read his newspapers—a common enough attitude in Victorian England—and her unresolved, unadmitted crush on her brother-in-law Dominic. Anne Perry’s Cater Street Hangman portrays Charlotte’s extremely circumscribed position as one that might have yawningly gone on for years, filled with good works and a suitable marriage, were it not for the gruesome murders of young girls in the environs of her Cater Street home.
Benjamin Weaver, retired prize fighter and now professional thief-taker, is back in action on the streets of 18th-century London. What seemed a simple job—cheating a card cheat—turns nightmarish when Weaver discovers he’s the one who has been rooked in David Liss' The Devil’s Company. The mysterious and wealthy Mr. Jerome Cobb has a very dangerous plan in which Weaver is an essential player. His physical skills, intelligence, connections, and indeed his very character are necessary to make the plan a success.