Hip Hop Family Tree Volume 2 picks up right where Ed Piskor's first phenomenal graphic novel left off. By 1981, the record industry has started to capitalize on the raw talent of urban youth. The sounds are slicker and the rhymes are tighter, but Piskor manages to find and highlight the raw edges of the musical movement.
When the Beat Was Born, by Laban Carrick Hill, is a stunning example of just how wonderfully diverse the world of children's biographies is getting. This picture book offers a look into the life of DJ Kool Herc, one of the founders and innovators of hip-hop music.
Hill's words, when combined with Theodore Taylor III's crisp, colorful illustrations, depict how a boy named Clive left Kingston, Jamaica, for the Bronx. Clive wanted to be a DJ, slinging an arsenal of records and getting crowds amped up at parties.
"Stepping in a rhythm to a Kurtis Blow.
Who needs to think when your feet just go?"
Tom Tom Club - The Genius of Love
Ed Piskor cannot rap or dance. He is no good with turntables or sampling. What Piskor can do is draw, which is why Hip Hop Family Tree is such an important testament to honoring the innovators and pioneers of the culture.
When David Gilmour's son decided to drop out of high school, his father could have screamed at the top of his lungs about ruining one's future and the misery of being a lifelong freeloader. Instead he created The Film Club.
Fifteen-year-old Jesse could leave school under a couple of conditions. One: he had to avoid getting involved with drugs. Two: he had to watch three movies a week with his father, a former film critic. Dad picked the films, and all Jesse had to do was pay attention. What followed is one of the riskiest experiments in alternative education I have ever seen. Was David 100% sure this was an ideal solution? Heck no, but he thought it was worth a try.
I am an addict...and my addiction is popular music. I adore it. Who doesn't? We all have our favorite songs, artists, genres. The right track at the right moment can hit us emotionally or physically, make us weep or dance. What I like almost as much as music are all of the details and stories that lead up to the making of some of my most cherished albums. That's where the 33 1/3 series comes in.
Started in 2003 by editor David Barker, 33 1/3 is a collection where each volume examines the allure of a particular album as well as the artist who recorded it. Named after the number of revolutions on an LP record, the series spans rock, hip-hop, folk, metal, pop, country, dance, punk, electronica, and world. There is something here for everyone.