Detective and mystery stories
Arnaldur Indridason's Jar City: A Reykjavik Thriller, the first of a series starring Inspector Erlendur, is a gripping crime novel set in the insular world of Reykjavik, Iceland, where the climate is unforgiving and murder is a relatively rare phenomenon.
An elderly man, Holberg, is found murdered in his city flat, and, unlike most murders in Iceland that are crimes of passion, Erlendur and his colleagues Sigrinudur Oli and Elinborg quickly realize that this is not going to be a typical murder investigation, especially since the only clues are a cryptic note stating, “I am HIM” and the photograph of a young girl’s grave.
White Heat, an intriguing and well-researched book about life on an island near the cold, cold, cold Arctic Circle, has been a real treat this summer for this reader who doesn’t like enduring 100-degree temperatures. Thank you, M. J. McGrath! I appreciated the icy coolness and the great story.
The star of this excellently-plotted mystery is Edie Kiglaluk, a divorced, recovering alcoholic who hires out as a hunting guide to those from the “south” who want the experience of roughing it in a tough terrain. Edie is a tenacious young Inuit woman who just can’t seem to be a go-along sort of person in her community. Her closest friend is her stepson, Joe.
My son and I were discussing books the other day, and he asked me, “Would you recommend a book in a blog that you didn’t completely love?” I thought for a minute and said, “No”. He asked why not, and I replied, “What if someone noticed the blog who didn’t love books? What if they just wanted to try reading a book for the first time in a long while? I couldn’t recommend a book that I thought maybe they would like or maybe not. I have to feel strongly about the book. I want people to love books as much as I do.”
Nocturnal, by Scott Sigler, is a detective novel that involves the supernatural. So if you love both genres as I do, this is a glorious combination. The characters are so well-developed that several reviewers described this novel as Sigler’s attempt to write like Stephen King. I don't know if that is true, but I just think that Sigler has always been known as a fast-paced horror writer. In Nocturnal he adds more character and depth to the plot.
Carlos Ruiz Zafón completely understands what it means to be seduced by a book--to get lost in a plot and feel overwhelmed by perfectly-formed words and phrases. Perhaps that is what allows him to describe--and replicate--that experience in his own novel, The Shadow of the Wind.
The Shadow of the Wind opens in Barcelona in 1945. Daniel Sempere’s father is about to introduce him to a mysterious and labyrinthine place called the Cemetery of Forgotten Books. In the Cemetery, the young boy is taught some very important things about the lives of books: “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.”