Detective and mystery stories
Alice Humphrey--daughter of a world famous film director and his movie star wife--has been unemployed for months yet refuses to ask her wealthy parents for help. When the ideal job as manager of a new NYC art gallery falls into her lap, Alice leaps at the opportunity…without considering the legitimacy of the offer. In Long Gone, by Alafair Burke, Alice has no clue her hasty decision will lead to a murder…or that she will be the main suspect!
At the opening of a new art exhibit, Alice meets Drew Campbell. Over the course of their conversation, Drew mentions he has an anonymous investor ready to open a gallery. He asks if Alice might be interested in managing the project. The only caveat is that the premiere show must feature the work of the investor’s boyfriend. The art in question turns out to be a series of hackneyed photographs which, from Alice’s perspective, display zero artistic merit. But she remains undaunted and looks forward to molding future shows.
I am a hopeless romantic, so of course I fell in love with Sarah Addison Allen’s charming books. She writes adult fairy tales where love is worth the risks. Pack her four novels in your beach bag and enjoy. The books are magical. The Peach Keeper, her latest work, is about what happens when secrets come out in the open. Walls of Water, North Carolina, has strange breezes that sound like whispers of secrets. Regret haunts the main characters and smells like lemons.
Twins Colin and Paxton Osgood, Willa Jackson, and Sebastian Rogers all went to high school together. They were known as the Princess, the Stick Man, the Joker and the Freak. Happiness has eluded all of them. Paxton Osgood is thirty years old, unmarried, and living at home, and president of the Women’s Society Club. Colin has run away from Walls of Water, his rigid ways, and his heritage. Willa has settled for a quiet life running a sporting goods store and doing laundry regularly every Friday night. Sebastian, now a dentist, has come back home but must face his difficult past.
In A Tale of Two Castles, by Gail Carson Levine, young Elodie embarks on her journey to Two Castles with the warning of her family ringing in her ears: beware of ogres and dragons, and, even worse, the whited sepulcher. Elodie’s parents think she will apprentice to a weaver. But headstrong, independent Elodie dreams of becoming a mansioner--an actress. As she nears Two Castles, Elodie discovers that the free,10-year apprenticeships have been abolished. She does not have enough money to pay for an apprenticeship or to pay for the voyage home. What will she do? How will she survive?
Fourteen-year-old Zach Harriman lives in New York City with his mother and father. He has been living the life of a typical teen until his father is killed under mysterious circumstances. In Mike Lupica's book Hero, Zach decides that following the devastating loss of his father, he wants to get to the bottom of the story. He knows that his father was powerful and had the ear of the President of the United States. He knows that his father was very skilled in his job of "getting things done." Zach suspects that his father's death was no accident but a premeditated murder by an organization known as the "bads."
Zach's mother decides to throw herself into the presidential campaign for the candidate that Zach's father supported. Though Zach supports his mother's political efforts, he decides to turn his energies towards the investigation of his father's death. He starts asking questions. He also begins to notice that he is being followed. While walking though Central Park he is approached by a mysterious stranger who has information for him. When Zach tells his beloved Uncle John about this man, he warns him to stay away from the stranger. Who should Zach believe?
Dr. Kristian Beck is known to be a man selflessly dedicated to the healing arts, so why is he being accused of murdering his very beautiful wife? Granted it was whispered that they lived separate lives, and she was so exquisite that men of all sorts were drawn to her side. To murder one’s wife in the throes of jealousy is considered a crime of passion, and the punishment for that might be less than for a straight-out, cold-blooded killing. As the woman featured in the haunting painting, A Funeral in Blue, Elissa Beck could have excited that kind of emotion.
In Bury Your Dead, by Louise Penny, Chief Inspector Armand Gamache is in Quebec on leave recovering from an investigation gone wrong. While there, he is recruited to assist in the investigation into the death of an obsessive historian who was searching for the remains of Samuel de Champlain, the founder of Quebec. The historian was murdered in the basement of the Literary and Historical Society, an English establishment, which raises a concern that his death will increase tensions between the English and French communities in the city.
While pursuing the murderer, Gamache reflects on his previous investigation that went horribly wrong. Is it possible that de Champlain was buried in the basement of the library? Will Gamache be able to deal with the ghosts of the prior investigation that continue to haunt him?
Dateline: Hampstead, London, 1851
Chester Himes had a hard life, even for someone growing up in the 'thirties. He took some knocks early on, knocks many people get in life; it was the racism he encountered in LA that made him bitter, a bitterness which put a fire in his belly and informed so much of his best work. Himes probably would have drawn little consolation over the fact he was breaking new trails for authors such as Walter Mosley. But he did.
Detective fiction remains a major field in popular literature both for authors and readers.Many new trends and subgenres have emerged in literary detective fiction during the last twenty years, both redefining and broadening the genre.Some of the currently popular subgenres are historical fiction, fiction featuring minority characters, and detective fiction set outside of traditional locations.In fact, detective fiction has become such a diverse genre of literature that it appears to be splitting into several distinct genres, each with its own style and method of gripping readers’ attention.
One of the sub-genres that defined classic American crime and detective movies was film noir, a style that was pervasive in detective films of the 1940s and 1950s. Film noir arose during the post-World War II period in the United States as a generation that fought in one of the most brutal conflicts the world had ever seen returned home to a changed America where jobs were scarce and the national mood seemed darker and more cynical than during the war itself.