Why didn’t Cinderella’s father protect her from the “wicked” stepmother? And surely the prince wasn’t the first handsome boy she laid eyes on! Besides all that, do wishes magically happen? In Cameron Dokey’s Before Midnight, a reworking of the Cinderella story, all of these questions are wonderfully explored.
Cendrillon’s (Cinderella’s) father and mother had a legendary love. When her mother died just hours after she was born, Etienne de Brabant took it . . . badly. He cursed his late wife’s garden, swore that he never wanted to see their baby daughter, and took off for a divided court, leaving behind another baby—a boy whose identity he did not reveal.
One of the popular trends in film and literature over the last few years has been new spins on fairy tales and classic novels.
Breadcrumbs, by Anne Ursu, starts on a magical, snowy day. There’s still school though so Hazel and her best friend Jack make plans to meet up and go sledding afterward. Since her Dad left her and her mom, things have really changed for Hazel in a bad way. She had to stop going to the fun school where the teachers were happy she had such vivid imagination and creativity. Now Hazel goes to classes where the desks are perfectly lined up all the time, and there is to be no fidgeting. Hazel fidgets anyway.
In Beastly, by Alexandra Flinn, Kyle Kingsbury is the kind of guy who has it all--looks, money, and charm. At his exclusive NYC prep school, of course he's going to be voted homecoming prince. It's a joke that anybody else even has his name on the ballot. Speaking of jokes, there's some new, chubby girl dressed in Goth black who's spent a lot of the morning glaring at him. She even called him beastly. How dare she?
There are many fantasy books that lead you to other places filled with wizards, royalty, and magical creatures. They provide an escape for their readers. But what if the characters wanted to escape? The Great Good Thing, by Roderick Townley, is about a princess who wants something more out of her fairy tale life—if only she can get the chance.
For ages and ages, no one had opened the book. Just as Sylvia sat weeping in boredom by the edge of the lake, pleading for something to happen, a fan of light began opening in a corner of the sky, sending flashes of color across the water. "Rawwwk! Reader!" screamed an orange bird. "Boooook open! Ooopen! Boook open!" groaned a bullfrog.
What's wrong with this story:
A father tells the authorities his daughter can do impossible things AND the authorities believe him.
A soon-to-be bride promises to give her future baby away to a TROLL.
Said bride agrees to marry the man who's threatened to kill her if she can't keep doing the impossible.
What would a troll do with a baby anyhow, and why would he give her all that spun gold for a tiny ring?
Why doesn't the heroine do ANYTHING to get herself out of this predicament?!
This old fairy tale is such a ridiculous story that the author wanted to fix it. So Vivian Vande Velde set out to do so six different ways in The Rumpelstiltskin Problem. The characters never come out the same in these retellings. The troll in "A Fairy Tale in Bad Taste" has gruesome appetites. "Straw Into Gold" has our beauty and her father resorting to an elaborate con game to keep from starving to death in the days before Social Security or insurance.
In Jean-Claude Mourlevat’s The Pull of the Ocean, Yann Doutreleau, youngest of seven brothers and the only one not a twin, whispered to the rest that it was time to go. The wind and rain were beating down in the November night outside their farm house in French countryside, but it was still time to go. Their parents, he said, were going to harm them.