“Most kids grow up leaving something out for Santa at Christmas time when he comes down the chimney. I used to make presents for the Four Horsemen of the Apocalypse.”
When I picked up a copy of Jeanette Winterson’s recent memoir, Why Be Happy When You Could Be Normal, I couldn’t wait to start the first page. I’ve been fascinated by Winterson’s novels for years, but never imagined she would narrate her life in the coherent, linear style associated with memoirs. In Winterson’s fiction, she constantly manipulates the boundary between fantasy and reality, integrating personal experience, mythology, and philosophy into a fluid conglomeration. Although Why Be Happy does feature some of Winterson’s trademark structural experimentation, it is also an engrossing story about one woman’s experience of dysfunction, madness, violence, love, and religion.
"Would it help if I got out and pushed?"
—Princess Leia to Han Solo in The Empire Strikes Back
"She tried to sit in my lap while I was standing up."
—Private detective Philip Marlowe in The Big Sleep
From sharp-tongued space princesses to Bogey's grim gumshoe, some of Leigh Brackett's most enduring legacies are the scripts she wrote for movies that are considered among the 20th century's very best.