The Return of Zita the Spacegirl is Ben Hatke's bittersweet conclusion to his fantastic trilogy of outer space adventure. We find Zita imprisoned on the Dungeon World, sentenced there by a cruel villain with an ulterior motive. Zita has saved thousands of aliens and planets galore, but now Zita will need her friends help in saving her.
Hyperbole and a Half explores artist Allie Brosh's almighty id with a kind of courageousness usually reserved for walking on hot coals or taunting killer bees. Based on the popular blog of the same name, Brosh's book features anecdotes and musings from her life, complemented by pictures drawn with a basic paint program.
Sheer audacity is one of Brosh's best assets. Her stories are bold examinations of what she fears most in life and how these anxieties form her identity.
When a palm reader told Nicole J. Georges that her long-deceased father was very much alive, Nicole's first thought was, "Who does she think she is?" But the psychic was definitely onto something, and Calling Dr. Laura started to take shape.
How far in the world would you go for more money or to complete a project that your company needs? Would you go into a country that is the antithesis of every definition of human freedom just to create your product more cheaply? Guy DeLisle’s Pyongyang: A Journey in North Korea is an autobiographical graphic novel about DeLisle’s experiences supervising the production of cell animation cartoons in North Korea, where they can be made cheaply.
Chester Kate's been hired to burn the town of Whale to the ground. Every last building must be razed so the railroad can push on through. Bloody Chester is about to make his mark in the only way he knows how. Maybe then everyone will stop using his other nickname: Lady Kate.
He doesn't have to worry about Whale's citizens. Most of them are already dead from the plague. They call the sickness Coyote Waits. "Waits" because it eats you from the inside. "Coyote" because...well because there's a lot of coyotes out there in the West.
Sailor Twain is a graphic novel that is heavy on the novel half of that term. The book draws from the romantic authors of the nineteenth century, from the sirens of the Odyssey, and from the emotional and carnal explorations of modernist literature.
On a riverboat churning through the Hudson, we meet two very different men. One is the serious, contemplative Captain Twain. The other is the more freewheeling boat owner Lafayette. They are about to become ravaged by the same obsession: mermaids.
Baby's in Black drops you into a smoke-filled club in Hamburg. Despite the German locale, the band on stage is wailing in English about doing the "hippy hippy shake". Everyone's moving except for the bassist, who looks cooler than James Dean.
The band has been playing for hours, and they will continue for several hours more, as per their contract. They pop pills to stay awake for that long. The group is the Beatles. The year is 1960. The bassist is Stu Sutcliffe.
Here’s all you need to know: not since Neil Gaiman’s brilliant Sandman series have a I found a work of graphic fiction to be so engrossing and moving as I find Joe Hill and Gabriel Rodriguez’s Locke and Key to be. Joe Hill’s story and Gabriel Rodriguez’s art come together in a way that I’m not certain any other collaborative comic project will be able to match. If you like brilliant, emotional, and very dark, creepy storytelling at its finest, you must start reading Locke and Key right now.
In the world of manga, Ryoko Kiyama is an ideal character. His eyes turn into pulsating hearts when he sees the object of his affection, sadness creates literal storm clouds overhead, and he is an expert at combating giant lizards and robots without getting injured. After accidentally falling through an “interdimensional cross-rip,” however, Ryoko’s ordinary behavior suddenly becomes freakish and bizarre. Ryoko has accidentally fallen into Western comics, a place populated by American teenagers who struggle to understand and tolerate such a strange visitor.