Central Rappahannock Regional Library is participating in the first annual Fredericksburg Independent Book Festival, scheduled for Saturday, September 24, at Riverfront Park off Sophia Street in the heart of downtown. All book lovers are invited to check out our activity and information table near the
Rosemary Wells is one of our best-loved writers and illustrators for very young people. Her “Max and Ruby” books capture the relationship between a bossy big sister and her inquisitive (and stubborn!) little brother. That they happen to look rather a lot like rabbits makes no difference to the stories. Rosemary Wells’ wry humor turns these brief books into rather perfect treasures for the preschool set.
When Mercer Mayer was a young artist looking for book illustration work, a potential employer suggested he give up and throw away his portfolio. Fortunately for the thousands of children who have enjoyed his many books, he did not give up. Indeed, he went on to create one of the first widely-published wordless books for children, A Boy, A Frog, and a Dog. That book and its successors were hugely popular.
Soon after that, Mayer tackled one of the biggest problems facing young children—how to cope with fears of the unknown. Rather than write pedantic, matter-of-fact, non-fiction children’s books, he turned the process of dealing with those fears into engaging stories from a child’s point of view: There’s a Nightmare in My Closet; There’s an Alligator under My Bed; and There’s Something in My Attic.
Children’s author and illustrator Margot Zemach was born into a show business family--her father was a theater director, and her mother was an actress. Growing up, she drew imaginatively costumed characters to retell her favorite fairy stories and folktales, something she continued to do as an adult that would lead her to worldwide fame.
As she wrote in her autobiography, Self-Portrait: Margot Zemach: "I can create my own theater and be in charge of everything. When there is a story I want to tell in pictures, I find my actors, build the sets, design the costumes and light the stage. . . . If I can get it all together and moving, it will come to life. The actors will work with each other, and the dancers will hear the music and dance. When the book closes, the curtain comes down."
Famous picture book illustrator and author Tasha Tudor loved the old ways of country living and payment for her beautiful work allowed her to live the life she dreamed of. She dressed in clothes styled for the 19th century that she made herself and carried a handmade willow basket to do her grocery shopping. Tasha kept goats, chickens, Corgi dogs, as well as a garden full of herbs, flowers, and the sort of tasty fruits that would find their way into homemade pies cooked on her wood stove. These things she loved and made a part of her illustrations.
Listen and watch a video of Kadir Nelson and you will get to know one of the most wonderful children’s book illustrators of our time. The soft-spoken Nelson has accomplished, before the age of 30, many things. He has worked on a Stephen Spielberg film, Amistad, and won the Caldecott Honor Award for Illustration for Moses: When Harriet Tubman Led her People to Freedom, in 2007 and in 2008, won it again for Henry’s Freedom Box: a True Story from the Underground Railroad.
Born in Washington, D.C, Kadir began drawing at the age of 3 and at the age of 12 was apprenticed to his uncle, an artist and art instructor himself. Nelson won many contests and ultimately won a scholarship to and attended the Pratt Institute of Art in Brooklyn, New York. He currently lives and works in San Diego, California.
Nelson has a passion for African Americans and their plight and has illustrated beautifully many books and has created many works of art for celebrities that have sought him out.
Twentieth-century illustrator Norman Rockwell reflected in his work much of what was good in America. He is known for his sweet depictions of small-town life—soda fountains, family scenes, Boy Scouts, town meetings, doctors’ offices, and boys with dogs—but one of his most touching images was a painful one from the Civil Rights Era: “The Problem We All Live With.”