18th century -- fiction
Sara Thomas is brilliant, lovely, and socially awkward. She knows a committed relationship won’t work out for her in the long-term. They never do. So, Sara isn’t looking for romance when she takes a job decrypting an old manuscript. Yet that is what she finds in Susanna Kearsley’s A Desperate Fortune.
In Alice Hoffman’s The Red Garden, Hallie Brady arrives in the wilderness near Hightop Mountain in 1750. Nobody white had settled this part of Massachusetts before, and the native people who camped nearby vowed that no man would find happiness west of the mountain. Teenaged, English-born Hallie comes with her not-good-for-much husband and a couple of other families he has duped into following him in circles for days before winding up in the shadow of the mountain just as the November snows are settling in.
Tessa Harris’ The Anatomist’s Apprentice plunges the reader into the viscera of 18th-century English culture and crime.
Widower William Rees drove his wagon into town like a man possessed. Normally an easy-going, itinerant weaver, Rees has just discovered that his kinfolk have cheated him, and his son has run away to be with the Shaker religious community. In 18th-century, rural Maine, it is not so easy to retrieve a teenager who hates you, get your land back, or solve A Simple Murder.
This book started to take form when an 18th-century silver spoon washed up on the beach near author Rosalind Laker’s home. It bore the proud mark of a London silversmith—a woman silversmith by the name of Hester Bateman. Fired with curiosity, Ms. Laker researched the fascinating Bateman family. During the Georgian period, the Batemans rose from potential ruin to being leading craftsmen who were known to have that elusive Silver Touch that marks a master workman.
Eudora Welty, a Pulitzer Prize-winning writer hailing from Mississippi’s Delta region, authored The Robber Bridegroom, a steamy and chaotic story set during her home state’s antebellum years. Although loosely based on a fairy tale collected by the Brothers Grimm, this Robber Bridegroom is no murderous Bluebeard. Jamie Lockhart is, however, a handsome scoundrel with no more compunction against relieving pretty ladies of their virtue than their jewels. He meets his match in beautiful Rosamond Musgrove, who goes on everyday errands wearing her one silk gown while singing love ballads.
Benjamin Weaver, retired prize fighter and now professional thief-taker, is back in action on the streets of 18th-century London. What seemed a simple job—cheating a card cheat—turns nightmarish when Weaver discovers he’s the one who has been rooked in David Liss' The Devil’s Company. The mysterious and wealthy Mr. Jerome Cobb has a very dangerous plan in which Weaver is an essential player. His physical skills, intelligence, connections, and indeed his very character are necessary to make the plan a success.
No one else will do, and in order to secure his cooperation, Cobb and his cronies have drawn a diabolical net around those Weaver holds dear. The Devil's Company referred to in the title is none other than the terrifically wealthy East India Trading Company. Their near monopoly on imports of tea, fabrics, and other luxury items began more than 100 years before this story opens in 1722, and it is this fortress-like institution that Weaver must infiltrate.