Although zombies have a long history of appearances in religion and folklore, interest in them as villains in horror films is largely confined to the second half of the 20th century. The explosion in zombie popularity is based on a characterization established by a single film and the fact that the original characterization of the zombi in African folklore and religion, as well as in earlier films, is dramatically different from that of the popular characterization from the 1960s onward. To understand zombies in both their original context and in the role they have come to take in popular culture requires an understanding of two divergent traditions.
The image of a cursed soul doomed to become a werewolf at the rising of a full moon is one of the most iconic concepts in horror. Unlike Dracula or the Mummy, the notion of a “wolf man” or “werewolf” was not cemented by one single actor, author, book, or horror series. It is instead a truly ancient concept dating back to the pre-literate sagas and legends told by Europeans centuries ago.
There are many monsters associated with Halloween. Besides Dracula and his kind, mummies are among the most fascinating of these. The mummies appearing in horror films and literature have many differences, but one thing remains constant: they are cursed to remain alive forever. They also have a doomed romantic attraction to at least one mortal woman and a burning hatred of all other mortals that has endured for centuries.
The most famed and prolific area of science fiction is the planetary adventure, featuring strange environments, exotic alien races, and massive battle scenes. Many of the most popular science fiction universes, such as Star Wars, Star Trek, and Avatar, take place in these environments. Most of these universes owe their existence to the adventure fiction of one author.
For the past two decades, Martin McDonagh has established himself as a sensational writer of emotional disturbance and darkly funny exchanges in his Irish-set plays and crime-focused films. He may not be a household name, but that name already has an Academy Award and several Tony nominations under its belt. We have a number of his works in the collection worth recommending.
Written in the mid-Nineties, The Beauty Queen of Leenane and Other Plays offers a trilogy of stories centered around the same town and immediately shows McDonagh's gifts for cleverly inane banter and simmering tensions.
The first time I ever saw 1001 Movies You Must See Before You Die sitting on a shelf in a now defunct bookstore, I immediately seized it, plopped down on the the floor and began...counting. Yes, yes, I'm a tad obsessed. Still, to find out that there are so many worthy movies out there waiting to be viewed is so exciting. I saw the mighty tome as a map leading to vast amounts of buried treasure.
Stuck in that static rut? Looking for a fix when imagination is on the fritz? Unbored: The Essential Field Guide to Serious Fun is the book for you.
Essential is the right word. Broken up into easy-to-read sections and articles, Joshua Glenn and Elizabeth Foy Larsen's title is a complete guide to inspiration and suggestion. Looking for a great animated movie you haven't already seen a thousand times? Unbored has some tips. Want to play in a band but you don't know where to start? This book can get you on the right path.
When David Gilmour's son decided to drop out of high school, his father could have screamed at the top of his lungs about ruining one's future and the misery of being a lifelong freeloader. Instead he created The Film Club.
Fifteen-year-old Jesse could leave school under a couple of conditions. One: he had to avoid getting involved with drugs. Two: he had to watch three movies a week with his father, a former film critic. Dad picked the films, and all Jesse had to do was pay attention. What followed is one of the riskiest experiments in alternative education I have ever seen. Was David 100% sure this was an ideal solution? Heck no, but he thought it was worth a try.