One of the sub-genres that defined classic American crime and detective movies was film noir, a style that was pervasive in detective films of the 1940s and 1950s. Film noir arose during the post-World War II period in the United States as a generation that fought in one of the most brutal conflicts the world had ever seen returned home to a changed America where jobs were scarce and the national mood seemed darker and more cynical than during the war itself.
This is the second installment in a series on the history of detective fiction.
Although zombies have a long history of appearances in religion and folklore, interest in them as villains in horror films is largely confined to the second half of the 20th century. The explosion in zombie popularity is based on a characterization established by a single film and the fact that the original characterization of the zombi in African folklore and religion, as well as in earlier films, is dramatically different from that of the popular characterization from the 1960s onward. To understand zombies in both their original context and in the role they have come to take in popular culture requires an understanding of two divergent traditions.
The image of a cursed soul doomed to become a werewolf at the rising of a full moon is one of the most iconic concepts in horror. Unlike Dracula or the Mummy, the notion of a “wolf man” or “werewolf” was not cemented by one single actor, author, book, or horror series. It is instead a truly ancient concept dating back to the pre-literate sagas and legends told by Europeans centuries ago.
I blogged a few weeks ago about the Percy Jackson and The New Olympians series (click here to read). The first book, The Lightning Thief, is being made into a movie, due to be released February 2010. Here's a new trailer for the movie, and it looks awesome:
Although Jane Austen lived and wrote 200 years ago, she is as popular as ever. Popular culture has kept her books and her life alive through new movie adaptations of her books, continuances of her stories, biographies of her life, and fictional accounts with Austen or her works as a source of inspiration.
Forrest Halsey (who did not utilize the "William" assigned by his parents at his birth in New Jersey on the ninth of November, 1878) was a grandson of John and Martha Whittemore, onetime residents of Fredericksburg's imposing Hanover Street mansion, Federal Hill.
Well-known both in Fredericksburg and in international literary circles during the two decades of 1910-1930, he is to most--like his silent movies--a nearly forgotten shadow.