When we think of Fredericksburg history as it relates to Sophia Street, we immediately bring to mind a few specific remaining structures and sites as we see them today: The Toll House at the foot of Rocky Lane; the present Half Way house at Wolfe and Sophia Streets, once an early tavern. The Center for the Creative Arts, referred to as the Silversmith's House; and the Sandstone Warehouse at the bridge at Sophia and William Streets.
Beneath the silt of the Rappahannock and its shores lie objects and structural remains related to the earliest periods of Leaseland and Fredericksburg activity.
There are Fredericksburgers living today who well remember the carnival activity of Scott's Island. Most of those interviewed had difficulty pinpointing the exact dates of its beginning and end; however, judging from a handbill from the 1920s, the emphasis appears to have centered around Saturday night.
In the summer of 1910, hundreds of electric lights shed their radiance on the Rappahannock River for the opening of Casino Island Park.
In 1883 Charles E. Hunter, an industrious Fredericksburg foundryman, purchased what was then known as Beck's Island just below the dam in the Rappahannock River at Fredericksburg.
In July, 1872 it was reported an enormous serpent, supposed to be a python, anaconda or boa constrictor, escaped from a traveling menagerie. Its body was said to be the thickness of a lamp post, and it had been seen in the meadow below the papermill (today's water treatment plant). It had also been seen in the trees overhanging the water at Beck's Island, and "we may soon expect to hear of the disappearance of the boys who go bathing" there.
As the first Germania Mill blazed, local artist Gustavus Erickson captured the fury of the flames. Earlier, he had painted the conflagration at the woolen factory. The painting was given by Mrs. Frances Jones in memory of Charles Seddon Latham and William Deacon Latham, both Gustavus Erickson paintings are owned by the Fredericksburg Museum and Cultural Center.