Spies -- fiction
In its first chapters, Sweet Tooth begins like Dickens’ David Copperfield. Serena Frome (rhymes with Plume) tells of her unremarkable childhood and how she ends up working as a spy for Britain’s MI5. With her blonde and beautiful looks, she is a bit of a Bond Girl and wreaks havoc on the men around her.
A good all-around student, Serena devours novels and wants to do an English degree in a small university, but her housewife mother, in an uncharacteristic fit of feminism, tells her she has a chance of making something of herself by going to Cambridge and doing “maths.”
Having been around ever since Dr. No was released in 1962, the James Bond series is one of the oldest film franchises that has continued to the present day. Over its 50-year history, the Bond films have seen six different actors play 007 and have had many stylistic changes over time to adapt to changing tastes. With the long-awaited release of a new Bond movie, Skyfall, this month, let’s go back and take a look at some pivotal points in the history of the series.
A teenager transforms from a schoolgirl to a spy in this true story of heroism in wartime. Suzanne David's everyday life is suddenly shattered in 1940 when a bomb drops on the main square of her hometown, the city of Cherbourg, France, killing a pregnant neighbor right in front of her. Until then the war had seemed far away, not something that would touch her or her teenage friends. Now Suzanne's family is kicked out onto the street as German soldiers take over their house as a barracks. Suzanne clings to the one thing she really loves--singing.
Rupert Holmes’ Swing has more than a touch of noir—and its own soundtrack. Set in San Francisco in 1940, vagabond jazz musician Ray Sherwood has been made a very interesting proposition. A beautiful, young Berkley music student wants him in a most peculiar way. She’s won an international contest for composers, and her piece needs to premiere at the Golden Gate Exposition in just a few weeks. What she needs from Ray are his talents to orchestrate her music for many instruments. Ray is enchanted by Gail’s breezy joie de vivre and her snappy patter even as his own troubled past makes him hesitate. But the tenor veers from sweet romance to dangerous liaison when a lovely woman plunges to her death mere feet from the happy couple, changing this composition’s theme from serenade to police siren.