In The Monster of Florence, Douglas Preston recounts Mario Spezi’s role in the hunt for a serial killer. Working as a reporter, Spezi, though he didn’t know it at the time, found himself in the midst of a real-life thriller. Over the years, dozens of couples would be found murdered throughout the Italian countryside. Though the investigation spanned decades, and a variety of suspects and leads were examined, the killer was never discovered.
“The crime that inevitably intrigues me most is murder. It’s so final. At a fresh murder scene you can smell the blood and hear the screams; years later, they still echo in my mind. Unsolved murders are unfinished stories. The scenes of the crimes may change over the years; highways are built over them, buildings are torn down, houses are sold. I drive by and wonder if the new occupants, as they go about their daily lives, ever sense what happened there. Do they know, or am I the only one who still remembers?” – The Corpse Had a Familiar Face
At 5 o'clock in the morning, a curly-headed toddler went missing from his bed in the spacious mansion in the English countryside, never to be seen alive again.
Young Saville Kent's soon-to-be-discovered vicious murder at the hands of someone who was surely a family member or trusted servant excited the press, the populace, and the authorities and ultimately drew the attention of one of Scotland Yard's first and finest detectives, Jack Whicher. Like the fictional Sherlock Holmes, Detective Whicher had a keen mind and almost sixth sense for uncovering criminals in the most unlikely places. With no forensics lab modern or otherwise to help him discover the identity of Saville's killer, Whicher used reason and intuition when setting about his task.